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Laurel Sills on Judge Anderson: Devourer

Judge Anderson: Devourer is the latest thrilling slice of novella action from Abaddon Books and 2000 AD to focus on the early life and adventures of Psi-Judge Cassandra Anderson.

Written by Laurel Sills, Devourer sees MC-1’s premier Psi-Judge before her greatest cases, just a year into her life as a full-eagle Psi-Judge. Here, something’s hunting the Psi-Judges, with the victims landing in the infirmary with the same phrase repeating across their minds… ‘I am not worthy’. Partnered with seasoned Judge Mei Yin, Anderson soon finds herself right in the heart of this madness that could take down Psi-Div and destroy her mind!

Order a limited print edition of Judge Anderson: Devourer >>

Laurel Sills is a writer and editor working out of London, whose writing includes stories in the Sharkpunk and Game Over anthologies, published by Snowbooks. From 2013-2017, she co-edited the award-winning Holdfast magazine, a celebration of speculative fiction, with eight online issues and two print anthologies. You can find the issues archived over at holdfastmagazine.com and find Laurel online at @laurelsills.

Richard Bruton asked Laurel a few questions about all things Anderson…

Laurel, I suppose the first thing we should do here is ask the old favourite… can you tell us a little about yourself?


Laurel Sills: I live in London with my partner, baby daughter and two cats. For my day job I am a senior commissioning editor of commercial fiction. Before my daughter was born I also spent a lot of time in bands, writing and recording music and playing shows, which is paused until I can get more than three hours of sleep in a row!

Your new Judge Anderson novella, Devourer, is out later in the month. Exactly what can we expect?

LS: A crazed psychic cult is targeting psi judges and driving them mad and the whole of Psi Div is called in to hunt the perps down. Anderson is paired with Mei Yin, a tough as nails Judge who doesn’t do partners. Devourer is essentially a buddy cop story, except the cops are psychic Judges and the crime boss is a demon god from another dimension who wants to eat the souls of everyone in Mega-City One.

What do you think it is about Anderson that makes her such a popular character? Is it her iconic status, the depth of stories that have been told about her? Or is it something to do with the contrast between her and Dredd?

LS: For me it’s her complexity. Her psychic abilities give her a connection to people that makes empathising with them unavoidable, but at the same time she sees into the darkness of the human mind. This gives her both a vulnerability and a strength that make her really interesting. She has a certain fragility that Dredd doesn’t have, but it’s not necessarily a weakness. Despite this she is really hard! She isn’t afraid to use deadly force when it’s needed and she certainly knows how to handle herself in a tough spot. She also has a rebellious side which gets her in and out of trouble that I love about her.

There’s already a rich history of Anderson from many years of appearances. What affect does this have on you when going so far back into her history?

LS: Writing such an established character comes with a great responsibility. While needing to stay true to who she is and who she will become, you also have to try not to be frozen by a fear of getting her wrong. While I certainly kept her future self in mind, for Year Two I was writing her as a young Judge at the beginning of her career. The Year One novellas by Alec Worley were of course a huge focus and where I took my lead from – my aim was to carry on the youthful and tenacious Anderson that Alec set up so brilliantly.

Seeing as you’re exploring Anderson’s past, is there a sense of constraint upon what you can do? With the “War of the Devourers” you’re creating a pretty serious part of Psi-Div history, a moment the entire Psi-Div could have been destroyed before really getting started.

LS: It is so important to respect the world you are writing in, and when I wrote the history of the Devourer War I did struggle with the weight of that. However, just by writing a Year Two novella I am creating a new part of Anderson’s and Psi Div’s history, so it didn’t feel like too much of a stretch to go back in time from Year Two to create a history for Mei Yin and the Psi Div veterans too. It’s a really daunting thing to do, but I also wanted to be able to write a rounded, fully formed story, and the Devourer War was an important part of it! 


There are many intriguing little touches throughout Devourer, especially in the earlier chapters when you’re setting up the world, the environment. Moments such as when Anderson turns her nose up at the idea of bovine milk, or the food that she’s eating… Bombay-locust pie, spiced mealworm fritters. It struck me as strange at first, until I reasoned that we’re still, relatively, primitive here. So perhaps the range of food stuffs that can be synthesised or produced just isn’t there. Am I anywhere near the ideas process you had for developing your own Anderson and MC-1 history here?

LS: That is a really good point in terms of us being quite far back in time, but it was also just me taking a bit of an artistic license! I wanted the market where Anderson meets Maya to be a gritty, smelly, vibrant place that is chaotic and loud that readers can imagine themselves in. Having half recognisable food made from bugs was just a fun addition to that atmosphere. I also wanted to link to old world and lost cultures as a tip of the hat to the ancestors of all of the people in Mega-City One, but in a confused way – like the people there are trying to recreate something of the past but getting it a bit wrong, like with the Bombay locust pie. In terms of the judges having access to better synthesised food, the scene I think you are referring to is where Anderson goes to get something to eat with another Judge after something pretty awful has happened at Psi-Div. They both want to reboot somewhere far away from what is going on there – so they end up eating out in a civilian restaurant – and I imagined that the civilians could have a bit of variety in terms of quality and what is available to them compared to what the Justice System would have.

Devourer has a wonderfully striking cover by Christian Ward, what did you think when you first saw it, the very first cover just for your work?

LS: I was over the moon when I saw the cover. It’s so vibrant and represents a really strong version of Anderson that feels totally perfect.

This is your first work for 2000 AD, what does this book mean to you?

LS: I was beyond excited to write for Rebellion and 2000 AD, it’s a crazy honour and not one I saw coming. Judge Anderson actually opened up Judge Dredd for me. Although I must admit my introduction to her was via the 2012 film Dredd. That’s what made me seek her out in the comics. I really love how her character has developed over the years. It’s really cool to see the different interpretations that artists have had of her, and in a way it feels like Year Two – three novellas by three different writers – is carrying on that tradition! That’s the exciting (and scary) thing about stepping into an existing world, you get to put your own spin on it. But it’s also nerve wracking as you have so much history and a really established personality to work with, and most importantly, do justice to!

Thus far, you’re a prose writer only. But, after this first step into the world of 2000 AD, could you see yourself working up some ideas for comics, 2000 AD or elsewhere? After all, there’s always the possibilities of “The Adventures of Maya, Psi-Judge Cadet”?

LS: I have always wanted to write comics! It’s something I did as a kid a lot and I have half a dozen dodgy scripts lingering in a drawer somewhere – so yes – it’s very much something I would love to do. ‘The Adventures of Maya’ sounds pretty brilliant! Anyone want to put in a good word for me?

Judge Anderson: Devourer is out this week in ebook from Amazon, 2000AD.com, and other ebook providers, and in a limited print edition available from 2000AD.com

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OUT NOW: Judges Volume One

“Tense, engaging and full of twists and turns” – Pop Culture Bandit

“fast-paced and uncompromising, keeping true to the essence of the Judges.” – British Fantasy Society

“essential reading for fans of Judge Dredd and the Big Meg” – Starburst

The first collected volume of Judges is out now!

This collection of prose novellas from Rebellion Publishing explores the very beginnings of the Judges, years before the Atomic Wars and the construction of Mega-City One, with stories by award-winning writer Michael Carroll (Judge Dredd: Every Empre Falls), George Mann (Doctor Who), and Charles J Eskew (Tales of the Astonishing Black Spark).

In the USA of 2036, Eustace Fargo’s Judges have been on the beat for three years. Crime is down but tensions are high between police and Judges, and millions rail against the radical new laws. A summary execution sparks a crisis: only the killer knew where his last, still-living victim was hidden.

With the largest storm in decades brewing off the East Coast and a city about to erupt into violence, can Judges Ramos and O’Shea find him in time?

Launched by series editor, author Michael Carroll, Judges explores the origins of Justice Department long before Judge Dredd, bringing to light its difficult formation amondst the dark days of the end of the United States of America.

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Read the first chapter of Judge Anderson: Devourer

Read the first chapter and grab a limited edition print copy of the new Judge Anderson novella by Laurel Sills!

Judge Anderson: Devourer is the latest fiction novella from 2000 AD and Rebellion Publishing – and there only 200 copies of this special edition paperback for sale, each one signed by the author!

Pre-order the print edition now >>

In 2101 AD it’s Psi-Judge Cassandra Anderson’s second year on the streets as a full-Eagle Judge, and something’s taking down Psi-Judges. More and more are turning up in the infirmary with only one phrase in their minds: I am not worthy.

Pulled off a hunt for a missing child, Anderson finds herself partnered with seasoned Judge Mei Yin on the trail of the cult behind the madness.

But Mei Yin doesn’t do partners.  And she’s more closely connected with the case than she’s willing to admit to…

Judge Anderson: Devourer will be available for Amazon Kindle, Kobo and other e-readers on 14th March.

Read the first chapter below…

Psi-Judge Turner froze, his pulse thudding loudly in his ears, his eyes scanning the deserted street. He held his breath as he waited to hear the child’s voice again, straining his psi-sense for that tiny, panicked, chirping call.

This was a Shine district, towering blocks of GlamCo living where the 0.01 percent of the Mega-City One population lived out their lives in shimmering force-field-protected security. Turner craned his head to gaze up at the tiny sparks caused by floating debris hitting the shields. He had a fleeting moment wondering what it would be like to breathe that filtered air before he shook himself and focused.

He closed his eyes and opened his thoughts to the night. The roar of consciousness threatened to overwhelm him, the teeming, collective mass of tumultuous thoughts from the concentration of humanity above whirling him into a state of vertigo. He had to try and sift through it if he wanted to pick up the kidnapper’s trail, but he’d never been good at wide-scale processing.

A scream stabbed into him, savaging his open mind. Stupid. He slammed up his barriers, braced himself and zeroed in on the echoes of terror.

A hand pressed over his mouth, rope biting into his wrists, pain as his small body is dropped onto the ground, gravel crunching as it bites into his back, a bag pulled off his head to reveal a leafy manicured garden, the shimmering wall of the tower in the background.

He ran.

A wide ramp traversed the side of the tower, narrowing as it wove through a holo-leaf-lined arch towards the pleasure garden, ending in a tall reinforced metal gate, sparkling with the filter-field. His helmet projected a Justice Department code and the door swung open on soundless auto-hinges.

Pulling out his Lawgiver, he stepped in, senses reaching to identify the child and her abductors. He paused as he emerged into the garden of his vision, white gravel paths snaking into lines of ornamental hedges and lush flowerbeds. A feeling of quiet awe washed over him as he realised that most of the plants were real, only bulked out in places by swatches of holo-plants.

A crunch of gravel sounded from the depths of the garden, with no thoughts to accompany it. He frowned, concentrating as he trained his Lawgiver on the sound.

“Identify yourself,” he barked, his footsteps sounding unnaturally loud as he moved towards a bend in the path. “That’s a Judicial order; the sentence for disobeying is three weeks in the cubes.”

“Judge Turner.”

An immaculately suited man was seated on a stone bench in a clearing, the high hedgerow encircling him like a cage. He sat with his hands clasped loosely on his lap, a calm silence emanating from him, lapping at Turner with a bullying insistence.

Turner shook himself. How did this man know his name?

“Where is the girl?” he demanded, feeling instantly stupid. He could sense it now, an absence of fear, of tension; the distress call he had followed snuffed out like a light. “What have you done to her?”

The man smiled, his teeth perfectly white, his pale blue eyes stark and cold beneath the silver hair swept artfully back from his weathered brow. “I wanted to speak with you, Judge Turner. The call was designed specifically for you. You felt her panic, did you not? You yearned to help her.”

Turner felt sluggish, and realised with rising alarm that he could not read the man.

“You should be mindful of your weaknesses, boy. They can be used against you.” The stranger gestured to the bench beside him. “Sit, please.”

Turner sat.

“Weakness?” Turner pushed the word through numb lips. “I am protecting the weak.”

“Noble sentiment, Psi-Judge Turner.” The man sneered as he spoke the syllable, and shook his head. “But it is a falsehood, to think that you are what you are because of your own wishes. You are a tool, Turner. Your gift has been taken and controlled by the Judiciary, twisted and warped to use for their own ends. This gift of mind we have, Turner, do you really think it was meant for such tawdry use as this?”

We have. It made sense now, why he couldn’t read him, and this feeling, this haze that had suddenly come over him. This man had psi abilities, strong ones, blocking Turner from using his own power. Turner fought it, sending out feelers into the psi-fog pouring off him.

“Tawdry use?” Turner murmured, exaggerating the dull edge of his voice. Keep him talking; make him think he had control.

“It is abhorrent.” The older man stood, his shadow looming larger as it fell across Turner. His casual tone belied a raw, barely contained rage. “It is sacrilege.”

The tendrils of mind Turner had been carefully working into the miasma of control were suddenly gripped in an iron vice, and the white-haired psi smiled. Turner fell forward from the bench onto his knees as agony exploded within his skull.

“Oh, Turner, no. You cannot refuse us.”

Two figures stepped out from the shadows, dressed in grey robes remnant of the vestments of long-dead religions. They had deep hoods that hid their features, and from the darkness beneath came a flood of psi-power. He could almost see it as it streamed towards the white-haired man, where it refracted like light in a crystal.

“This gift is sacred, Judge,” the white-haired man said, stepping forward, “a gift only to be used in the service of Karlul.”

Turner was paralyzed in the onslaught of psi-energy cascading from the man’s lips.

“And you are not worthy, Turner, not worthy at all.”

The two figures stepped in to hover behind the smiling man.

The Psi-Judge began to tremble as he realised he was too weak to resist them.

“Say it with me, Turner. I. Am. Unworthy.”

Turner opened his mouth, shut it, bit his tongue, hard.

“SAY IT.” Spittle flew with the force of his words.

“I am unworthy,” Turner whispered.

The words echoed, bouncing against the walls of his mind.

“I am unworthy,” he said with more force, looking up at the figures, squinting into the glare of their power.

“I am unworthy.” His tongue had found the shape of it now, rolled and repeated it without effort. And he knew, then, that he was unworthy. “I am unworthy, I am unworthy, I am unworthy.”

As he felt himself begin to dissolve. There was only one, uniting force that held the pieces of him together, the threads of him thrumming on the brink of snapping. A certainty, an all encompassing conviction, a whole and final truth, penetrating the whole of his being.

“I AM UNWORTHY.”

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OUT NOW: Rico Dredd: The Titan Years Book Two

The next chapter in the back story of Judge Dredd’s corrupt clone brother, Rico, is out now!

Every fan knows the cautionary tale of Rico Dredd, the Judge who went bad – but his story didn’t end when he was consigned to Titan by his own brother! The Process of Elimination is the latest prose novella from veteran Dredd writer Michael Carroll that delves into Rico’s history and gives voice to this haunting presence in Judge Dredd’s life.

The Process of Elimination is available to buy in paperback and ebook from Amazon now!

Buy the paperback from Amazon now >>

Buy the ebook for Amazon Kindle now >>

Buy the ebook from the 2000 AD webstore now >>

“Everyone breaks, that’s what they say about Titan. Everyone breaks. But not me. Not Rico Dredd. Not even when they cut out my lungs, injected every inch of my skin with cold-resistant polymers, plastic-coated my eyes and sealed up my mouth and nose.

“You don’t get to become Mega-City One’s top Judge without learning how to adapt, how to survive. I know the score. The prison is an unforgiving hell, but do your time, keep your head down, and you just might make it out alive.

“Then I was chosen for a rescue mission out on the surface, and everything changed. A dark secret was uncovered, and suddenly even I was pushed to breaking point.”

Rico Dredd: The Titan Years

Titan
2084 AD

Chapter One

It’s said that even the toughest prisoner is no match for Titan. Everyone breaks, they say.

The cold, the storms, the darkness, the endless labour, the sporadic nocturnal screaming sessions, the ever-present danger from the guards and the other prisoners, the days that last three hundred and eighty-two hours, the constant risk of suffocation in Titan’s toxic air, the food so utterly bland that sometimes you’d happily murder everyone on the whole drokkin’ moon just for the chance to lick the pot a potato had been boiled in.

Most prisoners broke, eventually; a few didn’t. I didn’t. Never broke down, never once allowed myself to roll over and expose that emotional underbelly. Displaying a weakness like that in such a hostile environment is the equivalent of handing the other guy a gun and showing him where on your chest you wanted him to aim.

Cadmus Robert Holland—male, Caucasian, fifty-something—finally crumbled, more than a year into his sentence. We’d long since exhausted the pool on him and just taken it as solid that he wasn’t going to crack.

We all knew why Holland was there, of course, known that from the start. He’d murdered his brother. Bludgeoned him to death with his fists in a frenzy of pure rage. For someone not trained in hand-to-hand combat, that’s a pretty impressive feat. Sure, anyone can knock someone over so they hit their head and that kills them, but to actually cave in a human skull using only your knuckles? That takes a special kind of fury.

Otherwise, the only remarkable thing about Cadmus Holland was that he was one of the final batch of Mega-City One citizens sentenced to Titan. Other cities kept sending civilians for the next few years, but someone in the Big Meg had decided that the mining colony on Titan was too harsh a punishment for cits, and fit only for wayward Judges.

It was late November, 2084. A bunch of us had been assigned to cable-duty on J-shaft. Assignments were usually fixed, and most of the time I was outside the prison compound, but sometimes a dig would be picked clean and we’d have to wait until another one was found; or sometimes, the weather was just too bad. That was when they put us on J. It wasn’t the worst duty—that would be waste management, and believe me, you do not want to know the details—but it was hard work, especially pulley duty.

The shaft was inside the prison compound, and was the primary reason the prison had been built just there. A rich, almost vertical seam of iridium ore that even after all these years still hadn’t been exhausted. The yield was about a kilogramme of iridium for every two tonnes we dug out. That might not sound like much, but it gave the average astrogeologist palpitations.

The shaft was a narrow cone, fifty metres across at the surface and three hundred metres deep, with a few small side-tunnels that snaked away, following smaller deposits. It was covered by a sturdy, three-storey-high framework, housing thirty or so mechanical pulley blocks.

That day, former Sov Judge Zera Kurya and I joined eighteen other prisoners hauling on the pulley cables, two prisoners to a cable. We nodded the usual greetings to the teams on either side of us—Cadmus Holland and Artherus Schiller were on our right—and then untied our cables and started to pull.

Arm over arm, steadily hoisting up huge steel buckets of ore. When they reached the pulley block we switched to a second cable that pulled the bucket forward until it was clear of the pit, then tipped it into the back of a waiting truck.

The trucks took the ore to the smelter, which refined the metal, depositing bars of iridium in neat stacks. Back on Earth, any one of those bars could set someone up for life. Here on Titan, they were just piled up, waiting for the next ship to collect them.

It took an average of four hundred arm-pulls to get a bucket up from the lowest level of the pit. I know: I’d counted. It was exhausting, tedious, backbreaking work and everyone hated it. Most jobs in the prison you’d find someone who didn’t mind it, but not this.

New fish always think that they’ll be okay with it, and for the first few hours it’s not so bad. The buckets weigh about half a tonne fully laden; but with two people lifting, that’s only two-hundred and fifty kilogrammes each. And the pulley block has a ten-to-one ratio—for every metre you pull, the bucket is raised ten centimetres—so you’re really only lifting twenty-five kilograms. In Titan’s low gravity, that’s hardly any work at all.

Until you have to do it over and over, a twelve-hour shift, in your bulky, uncomfortable environment suit, on your feet the whole time. You get three twenty-minute breaks per shift, and no talking if certain guards are supervising.

I had it a little easier because mods only do ten-hour shifts when we’re working outside: after that, we have to purge our sinus filters, and no one wants to see that.

Six hours into the shift our supervising guard, Delaney, called second break. Delaney was a barrel-chested man with rosy cheeks and white bushy eyebrows. Donny Guildford had once whispered to me that he looked like Santa Claus had gone into witness protection, and it’d stuck with me ever since. We liked him; he was one of those guards who wasn’t paranoid enough to equate casual conversation with sedition.

As we all gratefully tied off our cables and sat down on the frozen ground, Cadmus Holland said, “I’m done.”

Artherus Schiller asked, “You’ve done what?”

Inside his helmet, Holland slowly shook his head. “I can’t go on. This drokkin’ place… The air is poison, nothing grows in the frozen dirt, the storms wind can tear you apart. And for what? For this.” He picked up a small chunk of rock and bounced it in the palm of his hand. “Iridium.” He pointed straight up. “There are whole asteroids made of the stuff up there. Much closer to home than we are.” To Kurya, he said, “I heard your people are talking about setting up a mass-driver in the asteroid belt. Shoot the damn things at Earth, let them burn up in the atmosphere, save the cost of smelting them to get the ore out. That’s the way it should be done.”

“Probably wasn’t their idea,” Schiller said. “The Sovs don’t invent. They just take other people’s ideas. You know? Communism. Even the ideas belong to the state. No offence, Kurya.”

“Die in pain,” she responded, calmly.

I said, “Schiller, shut that down right now. And you can drop the ‘I can’t take it any more’ attitude, too, Holland. You can and you will. Your first week, you thought you weren’t going to survive, am I right?”

He nodded. “Yeah, but—”

“You were wrong then. Never thought you’d make it through your first month, either, or your first year. Same as the rest of us. But you were wrong then, too. You did make it. Now you think you can’t make it to the end of your sentence. What makes you right about that when you were wrong before?”

Schiller gave a half-laugh, half-snort. “Dredd’s right. You’ll get back to Earth. Start your life over.”

Then Holland said, “Without my brother.”

“Yeah, well you’re the one who caved in his skull. You crack an egg, you can’t go complaining that the yolk is leaking out, right?”

Normally, Holland would have either completely ignored that, or responded with a brisk head-butt. This time, he just nodded.

Schiller flashed me a look that said, That’s interesting… Then he asked, “Why’d you do it, Holland? You spent eighteen years taking care of your brother, and then one day you just snapped.”

Holland sighed long and deep, and the strength and life just seemed to slip out of him like a punctured airbed.

I knew from previous conversations that Holland had grown up believing in Mega-City One, in the Justice Department. He’d lost friends and family in the war—on both sides—but had never lost his faith in humanity. In the end, no matter what the odds, the good in people will triumph.

That’s what he believed. That was at the core of Cadmus Robert Holland’s being: the notion that people are inherently good. There are some who stray from time to time, but there is always a nucleus of goodness deep inside even the most hardened, most bloodthirsty criminal.

I guess he was right about that. Back in the Meg I got to know a lot of people who have one foot firmly in the gutter. The department classifies them as criminals, but ignores the good that they do. A woman can spend her entire life and all her pay making clothes for the homeless, but she shoplifts one can of lettuce-freshener and she’s labelled a thief.

I’ve already mentioned my friend Evan Quasarano. Grew up in the ghetto, joined a gang, became a small-time crook. Why’d he do that? Because he knew nothing else. His mother struggled to keep the family fed and clothed, his father was long gone and his grandfathers constantly bickered. They’d been on different sides during the war and every family get-together was destined to go down the ‘What the drokk did you just say?’ route. More than once I’d had to pry the two old guys apart, stop them from killing each other over the dinner table.

Evan was a thief, a thug, a low-life numbers-runner and occasional bodyguard. All before his eighteenth birthday. Did that make him a bad person? No, just misguided. I’d spent a lot of time with him, listening to his barely-formed opinions and regurgitations of other people’s ideas, and I could tell that Evan was just ignorant, and maybe a bit dumb. But I once saw him give half a bag of crawbies to a kid who’d had his own stash stolen before he could sell it, all because he knew that kid’s mother would have beaten him if he’d come home empty-handed. You can’t tell me that’s something a bad person would do.

People are a little selfish, maybe, but when they take the time to step outside their own lives and see things from other perspectives, they generally do realise that we’re all in this together. I’m not saying that it’s altruism, doing good for no reward or recognition, but that’s not the point. Every good thing we do helps make the world a better place—and who doesn’t want to live in a better world?

That had always been Cadmus Holland’s stance. Broderick—his younger brother—had apparently been a nice guy, doing pretty well at school, had some good friends. He’d been well-adjusted and well-liked by most people.

Holland said, “Something happened to him the day after a bunch of us went to the Festival of Wheels.”

Schiller said, “I remember that. We couldn’t go—Papa said it was too expensive to get to Mega-City One.”

Holland nodded slowly for a moment, then calmly said, “You’ve been begging me forever to tell you, so shut the drokk up and listen.”

Schiller grinned. He was never the sort to take offence easily.

“Broderick was thirteen years old,” Holland said. “We’d had a good time at the festival but the next morning he didn’t respond when I woke him up for school. I mean, he got up, but he didn’t say anything. Went off to school still not talking to me. I figured he was angry with me for something, but you know kids—you can’t read their minds. That night I got a call from his school. Broderick hadn’t spoken to anyone all day, not even when his teachers asked him directly.

 “So I went into his room and said, ‘The hell’s the matter with you?’ Nothing. ‘You’re not talking to me?’ Still nothing. I figured it would blow over in a few days, but I was wrong. I could see it in his eyes sometimes that he wanted to speak, but he just couldn’t. I gave him a pencil and a pad, but he just threw them aside. Same with the datapad. After the second week I brought him to the doctor. Those first brain-scans alone cost me a month’s salary, but they didn’t show up anything wrong. No damage, no lesions, no parasites. Broderick had just lost the ability, or the will, to speak.

“We did have some medical insurance, but the drokkers refused to pay up without an official diagnosis, so I had to pay for everything. Sold the car. Sold the house to cover a four-week stint in the Tremaine Clinic, but still they couldn’t find anything wrong. Had to move into a crappy one-bedroom stomm-hole on the west side after that. And then…” Holland looked up. “That day. Broderick was thirty. We’d been living with his condition for seventeen years. We were out, scouring the market down under the flyovers… I thought that maybe I could get him a job somewhere that it didn’t matter that he couldn’t speak. At that stage we were so broke I was dealing zizz to juves. So we saw this market stand where an old guy was selling dead-shirts. He—”

Kurya interrupted. “Dead-shirts?”

I answered for him. “Clothing taken from bodies at Resyk. Used to be that the Resyk centres just incinerated the stiffs’ shoes and clothing, but then they started using it as landfill. Some people steal the clothes from the landfills and sell them. It was actually quite the fashion for a while. I remember—” I caught the look in Holland’s eye. “Sorry. Go on.”

Holland said, “I asked the old guy if he needed help getting the stuff, and he said, ‘Yeah, maybe. Not easy work, though. You strong?’ I said, ‘I am, but it’s not me looking for the job. It’s my brother Broderick here.’

“And then Broderick said, ‘It’s about drokkin’ time!’”

Kurya said, “So he had not lost the ability to speak?”

“No. No, he hadn’t. I asked him what the hell was going on, and he told me that seventeen years earlier, the night before that first morning, just before he went to bed… We’d been joking about someone we knew. He didn’t even remember who it was, but that’s not important. What is important is that we both said, ‘Yeah, that guy’s insane!’ at the same time. And… and then I said, ‘Jinx.’”

We all stared at Holland.

Schiller muttered, “Stomm…”

I said, “No way. No way he kept that up for seventeen years!”

Holland said, “He did. Stubborn little drokker. That was the rule, see. Two of you say the same thing at the same time, then if one of you says ‘jinx’ before either of you say anything else, then the other one can’t speak until the first one says their name.”

Schiller asked, “In all that time you never said his name? Not even when you were speaking to a doctor about him?”

“Sure I did, but apparently not when he was around to hear me use it. He said I’d just referred to him as ‘my brother.’” Holland stared down at his hands. “I’d put my entire life aside and spent every credit we had trying to find out what was wrong with him and he could have put a stop to it at any time with a note on a scrap of paper. So I hit him. And I couldn’t stop. He was long dead by the time the Judges came, and even then they had to shoot me to get me away from him.”

No one could think of anything to say after that.

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FREE PREVIEW: read the first chapter of Rico Dredd: The Titan Years Book Two!

The next chapter in the back story of Judge Dredd’s corrupt clone brother, Rico, is available to pre-order now!

Every fan knows the cautionary tale of Rico Dredd, the Judge who went bad – but his story didn’t end when he was consigned to Titan by his own brother! The Process of Elimination is the latest prose novella from veteran Dredd writer Michael Carroll that delves into Rico’s history and gives voice to this haunting presence in Judge Dredd’s life.

Out on 3rd October, The Process of Elimination is available to pre-order as an ebook from Amazon and Rebellion Publishing’s ebook store!

Pre-order for Amazon Kindle >>
Pre-order on the Rebellion Publishing store >>

“Everyone breaks, that’s what they say about Titan. Everyone breaks. But not me. Not Rico Dredd. Not even when they cut out my lungs, injected every inch of my skin with cold-resistant polymers, plastic-coated my eyes and sealed up my mouth and nose.

“You don’t get to become Mega-City One’s top Judge without learning how to adapt, how to survive. I know the score. The prison is an unforgiving hell, but do your time, keep your head down, and you just might make it out alive.

“Then I was chosen for a rescue mission out on the surface, and everything changed. A dark secret was uncovered, and suddenly even I was pushed to breaking point.”

Buy The Third Law, the first book in the Rico Dredd: The Titan Years series, in ebook or paperback >>

Rico Dredd: The Titan Years

Titan
2084 AD
Chapter One

It’s said that even the toughest prisoner is no match for Titan. Everyone breaks, they say.

The cold, the storms, the darkness, the endless labour, the sporadic nocturnal screaming sessions, the ever-present danger from the guards and the other prisoners, the days that last three hundred and eighty-two hours, the constant risk of suffocation in Titan’s toxic air, the food so utterly bland that sometimes you’d happily murder everyone on the whole drokkin’ moon just for the chance to lick the pot a potato had been boiled in.

Most prisoners broke, eventually; a few didn’t. I didn’t. Never broke down, never once allowed myself to roll over and expose that emotional underbelly. Displaying a weakness like that in such a hostile environment is the equivalent of handing the other guy a gun and showing him where on your chest you wanted him to aim.

Cadmus Robert Holland—male, Caucasian, fifty-something—finally crumbled, more than a year into his sentence. We’d long since exhausted the pool on him and just taken it as solid that he wasn’t going to crack.

We all knew why Holland was there, of course, known that from the start. He’d murdered his brother. Bludgeoned him to death with his fists in a frenzy of pure rage. For someone not trained in hand-to-hand combat, that’s a pretty impressive feat. Sure, anyone can knock someone over so they hit their head and that kills them, but to actually cave in a human skull using only your knuckles? That takes a special kind of fury.

Otherwise, the only remarkable thing about Cadmus Holland was that he was one of the final batch of Mega-City One citizens sentenced to Titan. Other cities kept sending civilians for the next few years, but someone in the Big Meg had decided that the mining colony on Titan was too harsh a punishment for cits, and fit only for wayward Judges.

It was late November, 2084. A bunch of us had been assigned to cable-duty on J-shaft. Assignments were usually fixed, and most of the time I was outside the prison compound, but sometimes a dig would be picked clean and we’d have to wait until another one was found; or sometimes, the weather was just too bad. That was when they put us on J. It wasn’t the worst duty—that would be waste management, and believe me, you do not want to know the details—but it was hard work, especially pulley duty.

The shaft was inside the prison compound, and was the primary reason the prison had been built just there. A rich, almost vertical seam of iridium ore that even after all these years still hadn’t been exhausted. The yield was about a kilogramme of iridium for every two tonnes we dug out. That might not sound like much, but it gave the average astrogeologist palpitations.

The shaft was a narrow cone, fifty metres across at the surface and three hundred metres deep, with a few small side-tunnels that snaked away, following smaller deposits. It was covered by a sturdy, three-storey-high framework, housing thirty or so mechanical pulley blocks.

That day, former Sov Judge Zera Kurya and I joined eighteen other prisoners hauling on the pulley cables, two prisoners to a cable. We nodded the usual greetings to the teams on either side of us—Cadmus Holland and Artherus Schiller were on our right—and then untied our cables and started to pull.

Arm over arm, steadily hoisting up huge steel buckets of ore. When they reached the pulley block we switched to a second cable that pulled the bucket forward until it was clear of the pit, then tipped it into the back of a waiting truck.

The trucks took the ore to the smelter, which refined the metal, depositing bars of iridium in neat stacks. Back on Earth, any one of those bars could set someone up for life. Here on Titan, they were just piled up, waiting for the next ship to collect them.

It took an average of four hundred arm-pulls to get a bucket up from the lowest level of the pit. I know: I’d counted. It was exhausting, tedious, backbreaking work and everyone hated it. Most jobs in the prison you’d find someone who didn’t mind it, but not this.

New fish always think that they’ll be okay with it, and for the first few hours it’s not so bad. The buckets weigh about half a tonne fully laden; but with two people lifting, that’s only two-hundred and fifty kilogrammes each. And the pulley block has a ten-to-one ratio—for every metre you pull, the bucket is raised ten centimetres—so you’re really only lifting twenty-five kilograms. In Titan’s low gravity, that’s hardly any work at all.

Until you have to do it over and over, a twelve-hour shift, in your bulky, uncomfortable environment suit, on your feet the whole time. You get three twenty-minute breaks per shift, and no talking if certain guards are supervising.

I had it a little easier because mods only do ten-hour shifts when we’re working outside: after that, we have to purge our sinus filters, and no one wants to see that.

Six hours into the shift our supervising guard, Delaney, called second break. Delaney was a barrel-chested man with rosy cheeks and white bushy eyebrows. Donny Guildford had once whispered to me that he looked like Santa Claus had gone into witness protection, and it’d stuck with me ever since. We liked him; he was one of those guards who wasn’t paranoid enough to equate casual conversation with sedition.

As we all gratefully tied off our cables and sat down on the frozen ground, Cadmus Holland said, “I’m done.”

Artherus Schiller asked, “You’ve done what?”

Inside his helmet, Holland slowly shook his head. “I can’t go on. This drokkin’ place… The air is poison, nothing grows in the frozen dirt, the storms wind can tear you apart. And for what? For this.” He picked up a small chunk of rock and bounced it in the palm of his hand. “Iridium.” He pointed straight up. “There are whole asteroids made of the stuff up there. Much closer to home than we are.” To Kurya, he said, “I heard your people are talking about setting up a mass-driver in the asteroid belt. Shoot the damn things at Earth, let them burn up in the atmosphere, save the cost of smelting them to get the ore out. That’s the way it should be done.”

“Probably wasn’t their idea,” Schiller said. “The Sovs don’t invent. They just take other people’s ideas. You know? Communism. Even the ideas belong to the state. No offence, Kurya.”

“Die in pain,” she responded, calmly.

I said, “Schiller, shut that down right now. And you can drop the ‘I can’t take it any more’ attitude, too, Holland. You can and you will. Your first week, you thought you weren’t going to survive, am I right?”

He nodded. “Yeah, but—”

“You were wrong then. Never thought you’d make it through your first month, either, or your first year. Same as the rest of us. But you were wrong then, too. You did make it. Now you think you can’t make it to the end of your sentence. What makes you right about that when you were wrong before?”

Schiller gave a half-laugh, half-snort. “Dredd’s right. You’ll get back to Earth. Start your life over.”

Then Holland said, “Without my brother.”

“Yeah, well you’re the one who caved in his skull. You crack an egg, you can’t go complaining that the yolk is leaking out, right?”

Normally, Holland would have either completely ignored that, or responded with a brisk head-butt. This time, he just nodded.

Schiller flashed me a look that said, That’s interesting… Then he asked, “Why’d you do it, Holland? You spent eighteen years taking care of your brother, and then one day you just snapped.”

Holland sighed long and deep, and the strength and life just seemed to slip out of him like a punctured airbed.

I knew from previous conversations that Holland had grown up believing in Mega-City One, in the Justice Department. He’d lost friends and family in the war—on both sides—but had never lost his faith in humanity. In the end, no matter what the odds, the good in people will triumph.

That’s what he believed. That was at the core of Cadmus Robert Holland’s being: the notion that people are inherently good. There are some who stray from time to time, but there is always a nucleus of goodness deep inside even the most hardened, most bloodthirsty criminal.

I guess he was right about that. Back in the Meg I got to know a lot of people who have one foot firmly in the gutter. The department classifies them as criminals, but ignores the good that they do. A woman can spend her entire life and all her pay making clothes for the homeless, but she shoplifts one can of lettuce-freshener and she’s labelled a thief.

I’ve already mentioned my friend Evan Quasarano. Grew up in the ghetto, joined a gang, became a small-time crook. Why’d he do that? Because he knew nothing else. His mother struggled to keep the family fed and clothed, his father was long gone and his grandfathers constantly bickered. They’d been on different sides during the war and every family get-together was destined to go down the ‘What the drokk did you just say?’ route. More than once I’d had to pry the two old guys apart, stop them from killing each other over the dinner table.

Evan was a thief, a thug, a low-life numbers-runner and occasional bodyguard. All before his eighteenth birthday. Did that make him a bad person? No, just misguided. I’d spent a lot of time with him, listening to his barely-formed opinions and regurgitations of other people’s ideas, and I could tell that Evan was just ignorant, and maybe a bit dumb. But I once saw him give half a bag of crawbies to a kid who’d had his own stash stolen before he could sell it, all because he knew that kid’s mother would have beaten him if he’d come home empty-handed. You can’t tell me that’s something a bad person would do.

People are a little selfish, maybe, but when they take the time to step outside their own lives and see things from other perspectives, they generally do realise that we’re all in this together. I’m not saying that it’s altruism, doing good for no reward or recognition, but that’s not the point. Every good thing we do helps make the world a better place—and who doesn’t want to live in a better world?

That had always been Cadmus Holland’s stance. Broderick—his younger brother—had apparently been a nice guy, doing pretty well at school, had some good friends. He’d been well-adjusted and well-liked by most people.

Holland said, “Something happened to him the day after a bunch of us went to the Festival of Wheels.”

Schiller said, “I remember that. We couldn’t go—Papa said it was too expensive to get to Mega-City One.”

Holland nodded slowly for a moment, then calmly said, “You’ve been begging me forever to tell you, so shut the drokk up and listen.”

Schiller grinned. He was never the sort to take offence easily.

“Broderick was thirteen years old,” Holland said. “We’d had a good time at the festival but the next morning he didn’t respond when I woke him up for school. I mean, he got up, but he didn’t say anything. Went off to school still not talking to me. I figured he was angry with me for something, but you know kids—you can’t read their minds. That night I got a call from his school. Broderick hadn’t spoken to anyone all day, not even when his teachers asked him directly.

 “So I went into his room and said, ‘The hell’s the matter with you?’ Nothing. ‘You’re not talking to me?’ Still nothing. I figured it would blow over in a few days, but I was wrong. I could see it in his eyes sometimes that he wanted to speak, but he just couldn’t. I gave him a pencil and a pad, but he just threw them aside. Same with the datapad. After the second week I brought him to the doctor. Those first brain-scans alone cost me a month’s salary, but they didn’t show up anything wrong. No damage, no lesions, no parasites. Broderick had just lost the ability, or the will, to speak.

“We did have some medical insurance, but the drokkers refused to pay up without an official diagnosis, so I had to pay for everything. Sold the car. Sold the house to cover a four-week stint in the Tremaine Clinic, but still they couldn’t find anything wrong. Had to move into a crappy one-bedroom stomm-hole on the west side after that. And then…” Holland looked up. “That day. Broderick was thirty. We’d been living with his condition for seventeen years. We were out, scouring the market down under the flyovers… I thought that maybe I could get him a job somewhere that it didn’t matter that he couldn’t speak. At that stage we were so broke I was dealing zizz to juves. So we saw this market stand where an old guy was selling dead-shirts. He—”

Kurya interrupted. “Dead-shirts?”

I answered for him. “Clothing taken from bodies at Resyk. Used to be that the Resyk centres just incinerated the stiffs’ shoes and clothing, but then they started using it as landfill. Some people steal the clothes from the landfills and sell them. It was actually quite the fashion for a while. I remember—” I caught the look in Holland’s eye. “Sorry. Go on.”

Holland said, “I asked the old guy if he needed help getting the stuff, and he said, ‘Yeah, maybe. Not easy work, though. You strong?’ I said, ‘I am, but it’s not me looking for the job. It’s my brother Broderick here.’

“And then Broderick said, ‘It’s about drokkin’ time!’”

Kurya said, “So he had not lost the ability to speak?”

“No. No, he hadn’t. I asked him what the hell was going on, and he told me that seventeen years earlier, the night before that first morning, just before he went to bed… We’d been joking about someone we knew. He didn’t even remember who it was, but that’s not important. What is important is that we both said, ‘Yeah, that guy’s insane!’ at the same time. And… and then I said, ‘Jinx.’”

We all stared at Holland.

Schiller muttered, “Stomm…”

I said, “No way. No way he kept that up for seventeen years!”

Holland said, “He did. Stubborn little drokker. That was the rule, see. Two of you say the same thing at the same time, then if one of you says ‘jinx’ before either of you say anything else, then the other one can’t speak until the first one says their name.”

Schiller asked, “In all that time you never said his name? Not even when you were speaking to a doctor about him?”

“Sure I did, but apparently not when he was around to hear me use it. He said I’d just referred to him as ‘my brother.’” Holland stared down at his hands. “I’d put my entire life aside and spent every credit we had trying to find out what was wrong with him and he could have put a stop to it at any time with a note on a scrap of paper. So I hit him. And I couldn’t stop. He was long dead by the time the Judges came, and even then they had to shoot me to get me away from him.”

No one could think of anything to say after that.

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Pre-order brand new JUDGES: THE AVALANCHE novella now!

You can now pre-order special physical copies JUDGES: THE AVALANCHE, the brand new fiction series by Judge Dredd writer Michael Owen that explores the origins of the Judges!

Just 250 print copies of this new novella are available to order now from 2000 AD‘s webstore, featuring a new interview with Carroll and the first chapter of the next novella in the series.

Plus, fans can order an extra special edition that comes with a print of Neil Roberts’ new cover!

In a time of widespread poverty, inequality and political unrest, Eustace Fargo’s controversial new justice laws have come into effect. Protests and violence meet the first Judges as they hit the street to enforce the Law; the cure, it’s clear, is far worse than the disease.

Is this a sign of things to come?

Pre-order special limited edition novella >>

Only 100 copies available: each book is signed by Michael Carroll and along with the novella this volume includes an unpublished interview with Michael Carroll and the first chapter of the next Judges novella by Charles J. Eskew III.

Pre-order extra special edition with cover print >>

Only 150 copies available: signed by Michael Carroll, includes an unpublished interview with Carroll and first chapter of the next Judges novella by Charles J. Eskew III. Also comes with a numbered cover art print signed by artist Neil Roberts.

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Weird Vibes – the 2000 AD fiction of John Smith

Are you getting Weird Vibes?

From the mind of John Smith to the pages of the Judge Dredd Megazine, this new collection brings together eight stories from the master of the sublime and the downright disturbing – John Smith.

These stand-alone short stories feature some of the worlds and characters from his best-known series…

The reptillian nun, conceptual artist and cosmic bounty hunter, Tyranny Rex, must survive Demonic forces, Occult organisations and dimension-hopping dream parasites if she wants to keep her tail in tact!

Agents of the interdimensional INDIGO PRIME continue their work repairing (and often even rebooting) universes under threat from catastophic reality-shattering events including New York disappearing due to a mass LSD trip and a powerful Vodoo Priestess resurrecting Elvis Presley by way of Magickal haircuts.

Meanwhile, vampiric Vatican agent, international celebrity and bon vivant, Devlin Waugh, finds himself the target of an obsessed stalker and diabolic entities…

Available for Kindle

Available in DRM-free mobi and epub formats for all other e-readers

John Smith is unquestionably a 2000 AD hero, with a host of creative credits to his name, including A Love Like Blood, Devlin Waugh, Firekind, Holocaust 12, Indigo Prime, Pussyfoot 5, Revere, Slaughterbowl, Tyranny Rex, Leatherjack, Dead Eyes and Cradlegrave. Smith has also written Future Shocks, Judge Dredd, Judge Karyn, Pulp Sci-Fi, Robo-Hunter, Rogue Trooper, Tales from Beyond Science, Vector 13 and Tales from the Black Museum. Smith’s work beyond the Galaxy’s Greatest Comic includes the long-running New Statesmen series in Crisis, DC/Vertigo’s Hellblazer and Scarab, and Harris Comics’ Vampirella.