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Cor!! Buster Humour Special: Deadly Headley

Prepare to guffaw and giggle your way through the all-new Cor!! & Buster Humour Special from the Treasury of British Comics – out now!

Taking the greatest comedy characters British comics has to offer, the new special bring old favourites into the 21st Century and is guaranteed to raise a smile!

Underneath Neil Googe’s cover, you’ll find some very famous characters, such as Sweeny Toddler, Faceache, and Frankie Stein, but you’ll also find some surprises. And in addition to drawing that great cover, Neil Googe provides the artistic delights for Deadly Headley, the number one vampire detective, alongside colourist Jim Boswell, from a story from Rebellion newcomer, Paul Goodenough.

Garlic at the ready…!

Hello Neil and Paul, first of all, how did you approach getting your teeth into Deadly Headley?

Neil Googe: It was basically finding anything I could on line to get a feel for the characters, and then trying to retain as much of that flavour as possible, especially with the cover. As much as I remember the comics from my childhood… that was some time ago, and while I instantly recognised names… my memory of what they looked like was very different from the reality of what they looked like!

Paul Goodenough: Well, at the risk of sounding very business-like, I did a horizon scan (the process of looking around at popular kid’s comics, shows, games and brands), and then I spent some time reading old Deadly Hedley strips and just asking myself what would Hedley be like if he was being created today. That’s an over-simplification of course, but basically I tried to balance the whimsy and affection of the original whilst giving the strip an updated voice. Children’s shows nowadays are fronted by delightful characters who kids want as friends (as opposed to seeing them as heroes or role models). If you watch shows like She-Ra, How To Train Your Dragon, The Amazing World of Gumball or Star V’s The Forces of Evil, you’ll see characters every bit as rich, silly, imaginative and interesting as those from adult shows – and sometimes, even more so. Even though we only had a two-page script, we both worked hard to give Hedley a new lease of life, and plant seeds of a new personality we can build on later.

How did the strip come about, was it something you went after?

NG: Editor Keith Richardson approached me. I’d just finished doing some work on 2018’s 2000 AD Regened, and a cover for the new all-ages Prog 2030 , so I guess he though it might be a good fit 🙂

PG: Keith and I were generally chatting as I’ve been keen to work on and re-imagine some Rebellion properties for a while, and he asked if I’d be up for pitching something for the humour special, and of course, I absolutely was.

With the Special, there’s all of these classic characters, created by revered artists. Did you find yourself a little nervous when sitting down to start the strip?

PG: Of course. Although I’ve worked on any number of high profile brands, and done a lot with ‘cherished’ brands – very few I’ve worked on have been left untouched for so long. So I, and we, had to make sure that we resonated with people’s long-term memories, not their short term opinions. But I’m rarely worried about anything for too long, so I just got on with writing a story that I hoped people would enjoy.

NG: Actually, at first, there was… until I started getting the reference material and realised a lot of the strips [I was featuring on the cover] had several artists over the years and each one drew the same characters very differently. Once I realised that, I relaxed a little.

How did you balance bringing your own twist or something new to the strips and yet still being true to the spirit of the originals?

PG: Actually, for me, that was quite normal. I’ve worked with loads of brands such as Warhammer, Beano, Sherlock, GI Joe etc where I’ve been given some latitude to come up with my own ideas, whilst retaining the core ‘voice’. My mantra is to really think through what I would want to read nowadays, and then inject moments that will hopefully delight fans of the original. There’s a few nods and winks in my strip to the original version – so hopefully they’ll get picked up by fans and bring a smile to their face.

NG: On Deadly Hedley, I decided I would take what I like most about the different approaches done previously, while trying to combine them into something more of my own work, but still try and retain that feel from the original books.
With the cover, when I looked at the reference, I tried to stick as closely as I could to what I personally remember of the comics as a kid.

So, you were reading them as a child? Did that mean you remembered the characters or was it something that meant some fun research?

NG: Yes, I was reading them as a kid… but had you asked me to name them a month or so ago, I couldn’t have, but as soon as I looked for the reference, I remembered them instantly.

PG: Very kind of you to ask, but yes, I’m plenty old enough to have read the originals. I may not have been quite born when they all originally were published, but I was close enough to the right age that I picked many up later. And over the years, I’ve built up a collection of over twenty thousand comics, so I’ve managed to fill most gaps now…

The Treasury of British Comics is bringing classic Brit comics back into print, but what do you think of what’s been done thus far and what are you particularly looking forward to seeing?

NG: Well, so far as I know, a lot of what I really remember from my childhood either hasn’t been reprinted yet, or has often been reprinted over the years. If I’m honest, I think Cor and Buster were what my grandparents used to buy me rather than something I really read… my childhood comic memories are really Judge Dredd, Starlord, British Marvel reprints… stuff like that.

PG: I’m like a slathering dog. I can’t get enough! It’s an exciting time for comics, but also one filled with potential dangers. There’s such a rich heritage of comics just waiting to be exploited, but I fear if the investment and audience-focus isn’t matched, we may not get another chance. So, for me, I really want to see someone do something new and bold with them and go new places and tell new stories. Similar (but not the same) to what Mark Millar did with the Ultimates, or what DC have done (a few times) with Teen Titans – give people a surprise, but with solid storytelling and a really imaginative and cohesive vision that everyone gets on board with.  As for a favourite… I’d love to see a Storm Force remake!

The Cor!! & Buster Special is just a small part of getting kids reading comics, representing those classic strips in a way a modern, younger audience understands and gets. What are your thoughts on comics for children and how do you see things developing in the future?

NG: Well hopefully this will be a growing thing, with release of the all ages 2000 AD specials and with other companies doing similar things, it will be good to see comics back in the hands of younger audiences, and not just the collecting adult.

I understand the need for a more gritty comic for older audiences, times have changed and an older reader wants something a little more to their taste. But, I was starting to get frustrated with the lack of content for readers like my niece and nephew… And I was actually starting to question if I wanted to work in an industry where younger audiences should be able to enjoy the product being made, but seemed to be getting pushed out by what was in that content… so it makes me very happy to see this push toward all ages versions of certain books.

Where it will go… who knows… times have changed and comics feel less like a priority for children in an age of engaging entertainment on handheld devices and the like. But it would be nice to see comics reach those younger audiences in one way or another, so is nice to see companies trying.

PG: Let’s face it, most of us got into comics when we were children. People can get very uptight about beloved characters getting re-imagined for a younger audience, but that happened all the time when I was growing up. It’s normal, it’s natural, and it’s good for the brands to keep re-imagining themselves. In my opinion, the best thing to do is have a two-pronged approach, create new re-imagining for the younger audiences, that have loving nods and winks to the originals, and then make adult versions of beloved classics for the original audience. But that’s my take.

How did you make your way into comics and where else can we find your work?

NG: I harassed a lot of editors. I drew a lot and submitted, and submitted, and submitted until someone was desperate enough for an artist on a project to give me a break, just after that, 2000 AD gave me a try out on future shocks, and the rest is history!

My background is largely comics and game design. Worked on comics my whole career, getting my earliest breaks with Antarctic Press and 2000 AD,. Then I owned my own publishing company (with two other guys), Com.x, where I made my own comics and did a lot of concept work. From there I went over to Wildstorm and on to DC. Always working on and off with 2000 AD along the way… Probably most notably on Survival Geeks in recent years

PG: I’ve always been a fan. So for me, the move into comics was a long time coming. I’ve worked in TV and film for a long time, but I was eager to create comics because a) I love them, and b) they give the creators so much more license and immediacy than any other medium.

My break revolved around Simon Furman. I’ve always been a big fan of his work, and he was one of my major inspirations growing up and reading Transformers. So when I wanted to make the transition, I approached him and learned all I could from him (probably much to his annoyance). From this, I created a whole selection of ‘fan’ comics to test my skills. And once I had the scripts, I hired artists and letterers to give me a final ‘thing’ I could send editors and publishers. This also ensured I understood the whole process, and knew how to work with the creative team so that we would all get the best out of each other. I learned so much in a small space of time, and I’m eternally grateful for Simon’s help – because soon after he introduced me to Titan Comics, where we worked on How To Train Your Dragon together, and my career was started!

Most of my time is spent running my digital agency (www.aerian.com) which provides services create websites, apps and games. I also co-run a production company with Richard Bazley (Iron Giant, Hercules, Harry Potter) and until recently, Gary Kurtz (Star Wars, Dark Crystal) who unfortunately passed away last year. Outside of that, I also write and produce for a number of brands and shows, including British shows like Have I Got News For You and Newsjack, and international brands like GI Joe, Sherlock Holmes, Beano, Warhammer, Go Jetters and Peppa Pig. Annnnndddd… when I’m not doing that, I try to do as much as I can for the environment, working with people like BAFTA to change the way TV shows are made (you may see my product, Albert, listed after all major BBC Shows), Greenpeace, The Wildlife Trusts, Government and a number of sanctuaries to try and safeguard the planet and stop some of the widespread devastation.

And finally, who are your influences?

NG: Influences are far, wide and ranging… But off the top of my head, core ones would be Alphonse Mucha, Katsuhiro Otomo, Frank Quitely, Mike Mignola… my art looks nothing like any of them really… but they’re all in there somewhere… 😉

PG: I have so many. It really depends on the genre we’re talking about. For pure all out comics action, Simon Furman is my go-to guy. For brain-bruising originality, I love John Wagner and Alan Moore. For what appears to be (but no doubt isn’t) effortless storytelling, I’m in awe of Brian K Vaughan, Brian Michael Bendis and Garth Ennis, and lastly, for kick-me-where-it-hurts cinematography and direction, I love Guillermo Del Toro and David Fincher.

But, perhaps weirdly, if you ask me my two most memorable stories of last year – Russian Doll and She-Ra win hands down. Two amazing pieces of character storytelling. I simply adore them.

The Cor!! & Buster Special is on sale now from all good newsagents and comic shops!

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OUT NOW: The Cor!! Buster Special!

Prepare to guffaw and giggle your way through the all-new Cor!! Buster Humour Special from the Treasury of British Comics – OUT NOW!

Perfect for the Easter holiday it’s packed with brand new laughs and adventures for kids of all ages!

Taking the greatest comedy characters British comics has to offer, the new special bring old favourites into the 21st Century and is guaranteed to raise a smile!

From the boistrous baby Sweeny Toddler to Gums, the shark with the fearsome dentures, there’s plenty to keep the kids amused – plus there’s puzzles and games aplenty in this 48-page special.

The Cor!! Buster Special is available now from all good newsagents and comic book stores!

Buy now from the Treasury of British Comics webshop >>
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PRE-ORDER: Invasion 1984!

The world is on fire – is humanity doomed? Invasion 1984 is John Wagner, Alan Grant and Eric Bradbury’s classic dystopian alien invasion story from the pages of Battle!

You can pre-order the first ever collection of Invasion 1984 now!

Skeletal-looking alien warriors have invaded the Earth, bringing many large cities like London to the brink of total destruction in this British comics’ take on War of the Worlds! Never reprinted outside of its original appearance in Battle Picture Weekly, a legendary comic that influenced a generation of creators including Preacher writer Garth Ennis. The story of pluck in the face of alien invasion as combat collides with cosmic terror!

This new classic collection from The Treasury of British Comics is ideal for young readers looking for a gritty, over-the-top slice of apocalyptic alien invasion!

Pre-order from The Treasury of British Comics now >>
Pre-order from Amazon.co.uk now >>
Pre-order from Midtown Comics now >>

• CREATIVE TEAM: John Wagner, Alan Grant (w) Eric Bradbury (a)
• RELEASE DATE: 2nd May 2019 (UK)
• PAPERBACK, 132 pages
• PRICE: £14.99 (UK)
• ISBN: 9781781086759
• DIAMOND: MAR191967

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Cor!! & Buster Special: go bananas with KID KONG!

Prepare to guffaw and giggle your way through the all-new Cor!! & Buster Humour Special from the Treasury of British Comics – out on 17th April!

Taking the greatest comedy characters British comics has to offer, the new special bring old favourites into the 21st Century and is guaranteed to raise a smile!

Longtime 2000 AD writer Alec Worley and artist Tiernen Trevallion get to go completely ape in the Special with their take on the classic Robert Nixon strip, Kid Kong. With a plentiful supply of bananas, we sat down to chat…

With the Cor!! & Buster Special you’re giving us your take on the Kid Kong strip. What was your approach to it?

Alec Worley: It’s just a three-pager and my approach was pretty much to just preserve the original premise and characters while upping the pace for modern readers.

Tiernen Trevallion: Yes, I imagined [with one eye] that it was an animation.

Alec and Tiernan, you’re both well known around these parts for your work on 2000 AD. So, what was it that drew you to delivering a very different version of Kid Kong for the Cor!! & Buster Special?

AW: As wonderful as the old strips are, a lot of modern humour comics for kids have a much more manic pace and the gross humour has gone up a fair few notches since the ‘70s. Look at strips like ‘Star Cat’ in The Phoenix, graphic novels like Dog Man, and shows like, say, Star vs. The Forces of Evil and Gumball; this is the kind of thing modern kids are used to. You can’t really replicate the pace of the old strips without producing a museum piece. Like it or not, you have to move with the times.

Tiernen, your version of Kid Kong certainly looks very different from Robert Nixon’s original when you first see it. But, comparing the originals to this, you’ve kept so much, the look of Kid Kong is unchanged, the ideas of the strip the same. It’s in the colours, I think, that you’ve stamped a new look on the strip?

TT: I’d say that the line work is certainly adapted from the original. I saw this more of a homage rather than a reinvention. With the colour I was trying for something a bit muted for the first page, where Kid’s a bit miserable, moving to the brightly coloured nirvana of the ‘Banana-Con’. Most of the looks and designs came from Alec’s script, however I did want to re-design Kid’s Gran slightly. For some reason I thought it was funny to make her a bit more ancient and hag like.

How did you decide on the strip, was it something you asked for or did the editor get in touch?

AW: Keith Richardson [Cor!! & Buster Special editor] asked me to pitch for it. But I was a fan of the original and I like big gorillas, so I was well up for it!

TT: Yes, Keith asked me. It was quite a departure!

How did you approach the balance between crafting something new and staying true to the spirit of the originals?

AW: I think all you’re really doing is just introducing the same character but to modern audience. So the characters stay the same; they’re just in a different setting and with a more modern tone.

When it comes to those originals, were you old enough to read them the first time around or have you come to them later?

AW: Yeah, I grew up on this stuff. Whizzer and Chips, Shiver and Shake, Buster, School Fun, etc. Anything with monsters in were particular faves.

The special is another part of the Treasury of British Comics, where we’ve already seen plenty of classic strips reprinted. What do you think of what’s been done thus far and what are you particularly looking forward to seeing, whether reprint or brand-new?

AW: I think Rob Williams and Ben Willsher have done an amazing job on Roy of the Rovers, and would love to see more original graphic novels like that on the shelves.

TT: Not really a Treasury strip, but as I did a Fiends of the Eastern Front with Ian Edginton, I might be biased! Hoping to do more of that… there are plans… I’ve no doubt there are some strips that could be reinvented to keep the the characters intact and bring them to a new audience. Perhaps a quarterly anthology?

With the Cor!! & Buster Special, we’re seeing these classics updated for a modern audience, something that’s essential to keep the comics medium flourishing. What are your thoughts on comics for children and how do you see things developing in the future?

AW: The market for children’s graphic novels is colossal. Books by Dave Pilkey and Raina Telgemeier have initial print runs in the millions! I’m sure one of Pilkey’s last Dog Man books was something crazy like five mill! Yet this never seems to get talked about in grown-up circles. Perhaps comics for adults are so insular and self-important these days such things never register on their news radar.

One thing I’m glad to see left behind is the notion of ‘comics for boys’ and ‘comics for girls’. So many publishers and authors have come out against gender-branding children’s books, the ‘Let Books Be Books’ campaign and so on, and it’s great to see Rebellion going the same way with things like the all-ages specials.

Looking ahead, I honestly think the future’s bright for kids’ GNs. However shaky things may be in in the adult market right now, the kids who are learning to love comics through Roy of the Rovers, Dog Man and Smile will swoop in to save us in a few years time…

TT: To be completely honest, I wasn’t keen on those ‘kids comics’ when I was a kid. I loved the artwork, but things like the Beano didn’t mean much to me. I was more into Tintin or Asterix, until the day I stumbled across EC comics, and then 2000 AD. So I’m not sure I can answer that question effectively!

How did you make your way into comics?

AW: Through the subs pile at 2000 AD. I wrote script after script after script. Made submission after submission. Listened to every scrap of feedback and eventually figured out how the medium worked.

TT: First thing I did was for the Black Library, the Games Workshop’s publishing company. I was a fan of the games the GW produce. I had a concept I wanted to publish, so I thought I’d better get into print.

What is your background, and what have you worked on thus far?

AW: I’ve been a freelance writer for almost 20 years, during which time I’ve done subediting, copywriting, comics, audio dramas and fiction. I had a good hard apprenticeship with 2000 AD before going out into the world and working on European children’s comics like Star Wars and Teenage Mutant Ninja Turtles. I’ve also done lots of custom work, and am now starting to break into the world of Warhammer fiction and audio dramas.

TT: I’ve worked as an illustrator and artist since leaving school in the early eighties. Didn’t really start on comics commercially until quite late on… without looking about 15 years ago? …probably more…

And with that, we leave them, happy in the corner, bananas in hand. Comic creators and giant apes… they love them! The Cor! & Buster Special goes on sale 17th April 2019 from all good newsagents and comic shops (Diamond PREVIEWS order code FEB191918)

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OUT NOW: Fran of the Floods

The latest collection from the Treasury of British Comics is a forgotten classic with a very modern message…

Written by Alan Davidson with art by Phil Gascoine, Fran of the Floods is set in a world where runaway climate change has resulted in the melting of the polar ice caps, causing an onslaught of never ending rain.

As Fran Scott’s town begins to disappear underwater and, after losing her parents in the chaos, she decides to seek out her sister June in Scotland. But as society begins to crumble around her, Fran must overcome a vast array of dangers, including disease, wild animals, marauding gangs of vicious thugs and most bizarre of all, the self-proclaimed King of Glasgow!

Jinty was a weekly comic for girls, but with a difference, published by Fleetway from 1974 to 1981. While other girls’ comics focused on romance and soap opera, Jinty concentrating on science fiction and fantastical stories. Many of the stories addressed concerns of the time, with the growing environmentalism of the 1970s manifesting itself in stories such as FranJassy’s Wand of PowerThe Green People, and The Birds.

Buy now from the Treasury of British Comics webshop >>
Buy now from Amazon >>
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Order the first Creepy Creations T-shirt now!

As chosen by the fans, you can now get one of the legendary Creepy Creations on a quality tee – it’s the ‘The Fanatical Fungus-Grower of Frogpool’!!

Order yours now >>

The Fungus-Grower is just one of seventy-nine Creepy Creations from Shiver and Shake, which began in 1973 with the ‘The One-Eyed Wonk of Wigan’. Readers were then invited to send in their sketches for further instalments and winners would see their creation brought to full-colour life by various artists, though mainly by the legendary Ken Reid.

Order the Creepy Creations collection >>

This glorious riot of the grotesque was voted by online fans as the one they’d most like to see on the first Creepy Creations T-shirt!

Available to order now in multiple sizes and colours, and printed in the UK, this quality T-shirt is mandatory wear for any fan of the comically macabre!

  • Available in both unisex and women’s cuts on Fruit of the Loom shirts.
  • Available colours: Black, White, Royal Blue, Classic Olive, Red, Sunflower.
  • Available in sizes 3XL (unisex) and 2XL (women’s)
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Coming to comic book stores in May – Operation: Overlord #1

Rebellion’s Battle imprint is to bring the stories of the beaches of Normandy in 1944 to the direct comics market with Operation: Overlord #1.

The international best-selling graphic novel series by writers Michael Le Galli and Bruna Falba and artist Davide Fabbri, translated into English for the first time, is being published in a four-issue mini-series for comic book stores from this May.

Issue one, focusing on American forces fighting around the French town of Saint-Mere-Eglise, will hit comic book stores on 29th May. It will be available for stores to order from the April Previews magazine from Diamond Distribution.

The acclaimed bandee desinee series tells four extraordinary tales of heroism set during the Normandy landings on D-Day, June 6th 1944. Each 48-page issue is a stand-alone story, set in separate locations such as Saint-Mere-Eglise, Merville, and of course Omaha Beach.

The largest amphibious landing in history, Operation: Overlord – popularly known as ‘D-Day’ – saw American, British, Canadian, and Free French forces storm four separate beaches on the north French coast as the opening gambit in the Allied invasion of Europe.

The whole series has been drawn by Davide Fabbri, an artist well known for his Star Wars comics for Dark Horse and, more recently, his Hellblazer run at DC Comics.

Series editor Oliver Pickles said: “I am really looking forward to bringing Operation: Overlord to an Anglophone audience for the first time – the series has been hugely popular in France, with each book focusing on a different event of the D-Day landings, for instance there is a whole 48 page issue dedicated to the Omaha Beach assault by Easy Company.

“Being able to publish such an acclaimed series for the direct market, and especially under the imprint of Battle, is a fantastic opportunity to bring new stories and new comics to a much wider audience.”

Operation: Overlord #1 will be on sale on 29th May from comic book stores, retailing at £4.99/$6.99

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Make 2019 extra special with EIGHT new 2000 AD and Rebellion comic specials!

Rebellion is making holidays special again with a whole slate of classic comic book specials for new readers and nostalgic parents alike, resurrecting some of the most beloved comic books in British history – with all new material!

From humour to football, from superheroes to girls’ comics, these EIGHT new specials between April and October will be packed with all-new material, each one honouring a different part of the British comic industry – Cor!! & Buster Special, 2000 AD Regened, 2000 AD Sci-Fi Special, Tammy & Jinty Special, The Vigilant, Roy of the Rovers 65th Anniversary Special, and Scream & Misty Presents The Thirteenth Floor. Plus there’s the already-announced 2000 AD Villains Takeover Special!

And eager readers can now order the 2019 Specials Bundle*, which includes Cor!! & Buster, the 2000 AD Villains Special, the 2000 AD Sci-Fi Special, the Tammy & Jinty Special, The Vigilant, and Scream & Misty Presents: The Thirteenth Floor Special!

Order the 2019 Specials Bundle now >>

Buster and Cor!! were two of the biggest humour comics in Britain – and now they’re back and they’ve brought their friends! The 48-page Cor!! & Buster Special will hit newsstands in on 17th April, retailing at £4.99. From the world’s naughtiest baby, Sweeny Toddler, to Gums, the most incompetent shark in the seven seas, this one-shot special will feature top comics talent including a cover by Neil Googe (The Flash), and strips by Ned Hartley (Star Wars), Cavan Scott (Doctor Who), Abigail Bulmer (2000 AD) and Tanya Roberts (TMNT)!

The dastardly and the iniquitous will be taking over 2000 AD on 4th May – the 32-page US-format 2000 AD Villains Takeover special sees the baddies from some of the 2000 AD’s biggest strips, including Judge Dredd, Strontium Dog, and Sláine, get their moment in the spotlight! Available only from comic book stores for the low price of just 99p/99c!

On 8th May, the kids are taking over as 2000 AD gives way to 2000 AD Regened – a one-off special issue of the Galaxy’s Greatest Comic intended for all ages! Following the massively successful Free Comic Book Day issue of Regened in 2018, the pint-sized anti-heroes return for another bumper Prog for kids of all ages and species! 2000 AD Prog 2130 will be 48packed pages, retailing at £4.99 from all good stockists!

In 2018, the comics world lost one of its best creators – Carlos Ezquerra. This June, the 2000 AD Sci-Fi Special  will pay tribute to the co-creator of Judge Dredd and Strontium Dog with a special issue focusing on some of his greatest moments. It will also include his unpublished work on Specter, a new series he was working on with long-time collaborator John Wagner. The 48-page special hits shelves on 19th June at £4.99.*

In the 1970s and 1980s, comics aimed at girls outsold those aimed at boys – and Tammy and Jinty were two of the biggest titles. This June, these classic titles return, retooled for the 21st Century and with a host of new creators producing high-quality strips that pay tribute to the legacy of trail-blazing comics while introducing a new audience to the medium! The 48-page Tammy & Jinty Special lands on 27 June, priced at £4.99.

After its smash hit debut last year, The Vigilant returns in August, resurrecting the greatest home-grown superheroes Britain has to offer – a team unlike any other, a challenge none have faced before! Even if superhero comics have never been your thing, take up the call of The Vigilant with this 64-page special – out on 14th August , priced at £4.99.

Following his spectacular return to comics, Roy of the Rovers gets his first new special in September for his 65th birthday and the start of the new footie season! The golden-footed hero is back for a new generation! The Roy of the Rovers 65th Anniversary Special kicks off on 11th September with a bumper 128-page £9.99 issue!

And in time for Hallowe’en, the Scream & Misty Presents The Thirteenth Floor arrives on 16th October with a 48-page £4.99 special filled with the best chills that British comics can deliver! Created by John Wagner, Alan Grant, and José Ortiz, The Thirteenth Floor is where the homicidal caretaker computer Max puts those he doesn’t like – a mysterious floor of the tower block he controls where he keeps their worst fears. Few, if any, survive if they get on Max’s wrong side!

Rebellion specials will be available from good newsagents, as well as comic book stores via Diamond Distribution, and through 2000 AD’s webshop and apps.

* Does not include 2000 AD Regened or Roy of the Rovers specials.

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PRE-ORDER NOW: Fran of the Flood

A book that couldn’t be more relevant if it tried – from the pages of the legendary Jinty comes a story for our times that is ideal for young readers and nostalgists alike.

Fran of the Floods by Alan Davidson and Phil Gasgoine is available to pre-order now >>

Due to increased climate change the sun melts the ice caps, causing an onslaught of never ending rain. As Fran Scott’s town begins to disappear underwater and, after losing her parents in the chaos, she decides to seek out her sister June in Scotland.

But as society begins to crumble around her, Fran must overcome a vast array of dangers, including disease, wild animals, marauding gangs of vicious thugs and most bizarre of all, the self-proclaimed King of Glasgow!

Topical and prescient, Fran of the Floods is the latest release from the Treasury of British Comics, which is bringing back the greatest stories from the heyday of British comics.

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‘Spring’ into hilarity with the new Cor! & Buster Special!

The greatest characters from Britain’s golden age of humour comics return this Easter for a one-shot celebration of daft and zany fun!

Rebellion Publishing is proud to announce the Cor! & Buster Special will be tickling your funny bone this spring and a whole new generation of readers are about to experience comics’ humour at its finest! 

The 48-page special will hit newsstands in the UK and Ireland, and comic book stores in the UK, Ireland, and North America, on 17th April, retailing at £4.99. 

It will be the first use of the vast number of classic humour characters by Rebellion since it acquired the archive of comics publisher IPC and the Cor! & Buster Special offers new takes on some of the greatest characters from Britain’s golden age of humour comics, with an edgy celebration of daft, zany fun.

From the world’s naughtiest baby, Sweeny Toddler, to Gums, the most incompetent shark in the seven seas, this one-shot special will feature top comics talent including a cover by Neil Googe (The Flash), and strips by Ned Hartley (Star Wars), Cavan Scott (Doctor Who), Abigail Bulmer (2000 AD) and Tanya Roberts (TMNT).

The special will also complement Funny Pages, Rebellion’s title for Free Comic Book Day on 4th May, which will be available for free from participating comic book stores around the world.

Editor on the Cor! & Buster Special, Keith Richardson, said: “Humour titles like Cor! and Buster were a massive part of many a childhood but have been sadly missing from the newsstand for years – the time is ripe to bring these amazing characters back for a new generation. Just at a time when many kids will be on their Easter break, this special will introduce them to some of our favourite classic characters, but all with a modern twist. For us, it’s time to put the comical back into comics!”

Humour comics were once a constant staple of the British newsstand, with dozens of titles filled by some of the industry’s greatest talents, such as Leo Baxendale and Ken Reid. IPC/Fleetway titles such as Cor!, Buster, Whizzer and Chips, and Shiver and Shake entertained generations of children for decades. They were part of the acquisition by Rebellion of arguably the world’s largest archive of English-language comics in 2016 and 2018.