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2000 AD Covers Uncovered: Mike Dowling Brings Back The Vamp For Megazine 465

Every week, 2000 AD brings you the galaxy’s greatest artwork and 2000 AD Covers Uncovered takes you behind-the-scenes with the headline artists responsible for our top cover art – join bloggers Richard Bruton and Pete Wells as they uncover the greatest covers from 2000 AD!

We’re looking at the new Judge Dredd Megazine for this latest Covers Uncovered – with Megazine 465 featuring the return of the deliciously dandyish,  voluptuously vampish (not to mention vampiric) Mr Devlin Waugh, as brought to life by Mike Dowling for the cover…

Inside Megazine 465, we have the return of everyone’s favourite Brit Cit bon viveur, Devlin Waugh, with Aleš Kot returning to write Nightclubbing alongside new series artist Steven Austin, where we’re checking in with Devlin and his plastic pal Titivillus. The trouble is, Devlin’s struggling a little to get his shit together right now after his most recent troubles in dealing with a curse on his bloodline.

Here’s just a little of what to expect inside, with art by Steven Austin…

But before you get the delights of peeking inside at Devlin’s latest exploits, time to chat to Mike Dowling about putting this great new Megazine cover together, complete with a sneak peek at a Devlin cover in Mike’s rough ideas that we might well be seeing later in the year. As is often the case, it was another example of the art droids throwing themselves on the mercy of The Mighty One for work. Or, in this case, Tharg’s Earthly representative…

MIKE DOWLING: I’d got in touch with Matt Smith to see if he needed anything and he suggested A Devlin Waugh cover. I sent over 3 rough ideas and handily for me, Matt went for 2 of them.

I started with the big portrait of Devlin. I’d tried to do something like this before and it hadn’t worked out. I was keen to have another go at it and at least get it mostly right this time!

Looking at the original sketch I decided it just wasn’t dramatic enough. I originally thought the scale of the head would be striking enough but I quickly decided I needed something more – something in the lighting to give it some drama. I remembered a picture of James Cagney from Angels with Dirty Faces – he has such presence in the photo – I thought I could lift the lighting from that publicity still wholesale. I wanted some menace in the picture, which Cagney has in spades but I also needed something a bit carnal – It’s Devlin after all!

After that decision it was all pretty straightforward – I put together the pencil drawing, adding another shadow to better frame Devlin’s left eye and made sure it would all fit with the logo.

I’ve moved from the dark tones to the light, trying to find the right balance. 

With all the tones in place, I spent a while trying to sneak up on the right colours for the piece. Normally I would have a colour idea in place when I got started, but as this was not part of a scene or larger story I had to deal with the worrying possibility of the colour being ‘anything I wanted it to be’.

Existential crisis aside I added some paper texture, Made sure it still sat happily with the logo and considered it finished.

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And that’s it – it always sounds nice and simple when droids like Mike lay it all out that way, missing out the hours and hours of blood, seat, and tears that go into putting something worthy of a cover together!

Our thanks to Mike Dowling there for sharing the art there to this latest gorgeous Devlin cover. You can find it on the front of Megazine 465, in newsagents, comic shops, and from the 2000 AD web shop right now.

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2000 AD Covers Uncovered: Get On Yer Bike & Ride… Clint Langley covers Prog 2370

Every week, 2000 AD brings you the galaxy’s greatest artwork and 2000 AD Covers Uncovered takes you behind-the-scenes with the headline artists responsible for our top cover art – join bloggers Richard Bruton and Pete Wells as they uncover the greatest covers from 2000 AD!

You’ve seen it on the shelves or popping through your letterbox already, but we’re going back to last weeks’ spectacular Clint Langley cover to 2000 AD Prog 2370 now – it’s Judges Death and Fire comin’ at ya’ on a bike from hell…

It’s Clint’s latest foray of fear and horror in Deadworld and the Dark Judges, showing us the delights of Kek-W and Dave Kendall’s ongoing The Fall of Deadworld series, which roared back into Prog 2370 with the continuation of the Retribution storyline.

Clint’s got biking form with the Dark Judges as well, with this cover acting as a homage of sorts to his own cover of Prog 2025 where it was Judge Fairfax and Jess Childs roaring out of the cover at you. So, hang onto those helmets one and all, let’s get into the putting together of this latest Langley bit of brilliance!

There’s not too much art to show you with this one, as Clint works pretty much direct with inks and brushes – like he told us when sending the art across, ‘I tend to go straight into the art!’

He did have this to say though – ‘I really enjoyed working on the Deadworld covers. Love the Deadworld strip in the Prog. Getting to draw such classic 2000AD characters is always a pleasure.’ And a pleasure it is to see you on the cover Clint!

As with all of Clint’s covers, he’s old school, hand-drawing the covers with ink and brush, A2 sized (which must just look stunning to behold in all their fearful majesty!) After that, it’s scanned off to the computer and then digitally coloured with Photoshop. So here’s that fully inked cover to feast your eyes on…

Thank you so much to Clint for sending all of that along – Quaequam Blag, just absolutely stunning as always, the sort of thing that leaps out at you, grabs you by the throat and doesn’t let go – it’s the thrill-powered way!

You can find Clint’s cover on the front of Prog 2370, in newsagents, comic shops, and from the 2000 AD web shop – available right now! For more of Clint’s incredible work, check out the great Art of Clint Langley Facebook page.

Now, as an added extra, Clint was good enough to send over some of his finished inks for his previous Fall of Deadworld covers – all done in the same style and the same fashion, huge direct inked pieces that just boggle the mind…

We start with Clint’s first Deadworld, giving us all the grotesque delights and absolute horrors that you’ll find in the strip – the cover to Prog 1980

Next came Prog 2025 with the cover that Clint’s homaging in his way with this latest – showing Judge Fairfax and Jess Childs doing their damnedest to escape the clutches of Judge Death and his grotesque group, an escape that we all know just isn’t going to happen – it’s called the FALL of Deadworld after all!

And finally, we have Prog 2092, with a quite wonderfully wicked and unbelievably unholy look at the main man himself – Judge Death!

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2000 AD Covers Uncovered: One Last Time For Enemy Earth On Luke Horsman’s Cover For Prog 2369

Every week, 2000 AD brings you the galaxy’s greatest artwork and 2000 AD Covers Uncovered takes you behind-the-scenes with the headline artists responsible for our top cover art – join bloggers Richard Bruton and Pete Wells as they uncover the greatest covers from 2000 AD!

This week it’s 2000 AD Prog 2369, featuring the finale to Book Three of Cavan Scott and Luke Horsman’s Enemy Earth – which is also the finale to the entire Enemy Earth saga. Fittingly, series artist Horsman gets the cover…

There’s always something very special about the covers that do something different with the 2000 AD logo – don’t you think?

Anyway, across three series of Enemy Earth, we’ve had a world gone mad, fauna and flora mutated and out to kill any human that’s left alive, and we’ve seen a very unusual found family come together to triumph over all the problems that this world can throw at them (and that’s a hell of a lot!)

So, one last time for Enemy Earth, here’s Luke Horsman talking about an Enemy Earth cover… and as usual it all starts with Tharg beaming his magnificence into the presence of an unworthy art droid and telling them just what he’s after for this latest cover…

LUKE HORSMAN: Starting with the rough – I was asked to produce a cover image inspired from a scene in the previous episode of Enemy Earth, with Zoe hanging upside down by Jules’ mutated tentacles.

That would be this scene…  

And this is the sketch that Luke worked up for the cover…

Okay then, with the sketch all sorted and approved and art droid Horsman still shaking from being in the presence of The Mighty One, it’s time to get back to work, with Luke bringing us a great cover, complete with that customized logo…

LUKE HORSMAN: Once all was approved, I laid down the line work as usual.

LUKE HORSMAN: Next, working up the title treatment I had in mind to work into the image...

LUKE HORSMAN: Now on to layers of colour work. I wanted to frame the main aspect with some basic silhouette designs so everything popped in the right way…

LUKE HORSMAN: And finally drop the title back in…

And there you have it – a final fabulous Luke Horsman cover for Enemy Earth. You can find it on on the front of Prog 2369, in newsagents, comic shops, and from the 2000 AD web shop.

As for previous Covers Uncovered from Luke, he talks Enemy Earth covers for Prog 2303, Prog 2307, and Prog 2329. We’ve also interviewed Luke three times – here along with Cavan Scott about the very first Enemy Earth in 2000 AD Regened Prog 2256 and here for a chat with them both for the first series of Enemy Earth that began in Prog 2301. And finally, there’s an interview here with Luke and writer Mike Carroll about another Regened strip, Action Pact, from Prog 2220.

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2000 AD Covers Uncovered: Simon Davis Keeps The Fear Flowing In Thistlebone for Prog 2368

Every week, 2000 AD brings you the galaxy’s greatest artwork and 2000 AD Covers Uncovered takes you behind-the-scenes with the headline artists responsible for our top cover art – join bloggers Richard Bruton and Pete Wells as they uncover the greatest covers from 2000 AD!

On the front of 2000 AD Prog 2368 we have the latest Thistlebone cover from Simon Davis as The Dule Tree, the third series of his and TC Eglington’s folk horror fear-fest, reaches part five and the fear is rising and rising…

In the first two series of Thistlebone, we’ve seen the way that the horrors of the past have infected and infused the tiny village of Harrowvale with a madness expressing itself through modern-day cults and personal psychoses.

Now we’re back to the 70s and a film based on the 18th Century witch trials that happened in Harrowvale, which is every bit the terrible idea that you think it would be, given all we know already about Harrowvale and Thistlebone.

And the film poster look is something Davis is leaning into heavily on this current series, both in the covers he’s doing and this early promo work…

Last time, Prog 2364’s cover, it was the Hammer classic, Dracula AD 1972 that Simon used as a basis for the cover. This time… well, we’ll let Simon tell you…

SIMON DAVIS: When Tom and I first discussed doing Thistlebone in 2020, it was mainly born out of our love of Folk Horror films.

A particular favourite of mine is The Blood on Satan’s Claw (1971). It has a great poster by the genius that was Arnaldo Putzu so this absolutely had to form the basis of a cover design.

That’s the poster for the UK version of the film, complete with its absolutely terrible reproduction of Putz’s artwork. As Simon explains…

SIMON DAVIS: I sent that as it has a better reproduction of Putz’s artwork…the later version, where it’s called The Blood on Satan’s Claw (the one I have) has a wisp of hair to cover the woman’s modesty!

Robert Wynn Simmons wrote the screenplay (and only recently the book) of The Blood on Satan’s Claw. I think we’d be on safer ground if we just said Blood on Satan’s Claw, The Wicker Man, and Witchfinder Genrel are considered the unholy trinity (as they are referred to) of Folk Horror Movies and were a huge influence on Thistlebone.  Satan’s Skin was deemed an inappropriate title for the UK release so The Blood on Satan’s Claw was used instead….Piers Haggard, the director, disliked it intensely!

Anyway, Simon sent along the film poster for the other version of the film, Satan’s Skin, where the poster art did a much better job of showing you that Putzu artwork…

Okay then, back to Simon…

SIMON DAVIS: I felt the original poster was perfect to be adapted into a Thistlebone cover, with Yvonne Kier’s Agnes Green character replacing Linda Hayden’s Angel Blake and the Behemoth being replaced by Thistlebone.

I went to the British Museum and took reference photos of the antler head piece that Thistlebone is based on and again decided to hand paint the 2000 AD logo.

And here’s that first rough for you, followed by Simon’s pencils and the painstaking and beautiful process of adding paint to it all, first Yvonne Kier’s figure and then the looming menace of Thistlebone itself…

SIMON DAVIS: It was a relatively uncomplicated painting process as the Thistlebone figure was mainly there to act as a contrast to the figure.

One final photo – the finished piece on the easel, with an original The Blood on Satan’s Claw film poster that hangs in my studio...

There you go, another fabulously fear-inducing Simon Davis Thistlebone for you! You can find it on on the front of Prog 2368, in newsagents, comic shops, and from the 2000 AD web shop.

There’s plenty more Thistlebone, here at 2000 AD.com – our interview Eglington and Davis here and you can find all of Simon’s previous Covers Uncovered Thistlebone pieces here as well – Prog 2223, Prog 2232, and Prog 2364. And of course, there’s also the essential reading of the first Thistlebone collection that’s available in all good comic shops and from the 2000 AD web shop.

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2000 AD Covers Uncovered: Patrick Goddard Sends Rogue Trooper to Blighty Valley

Every week, 2000 AD brings you the galaxy’s greatest artwork and 2000 AD Covers Uncovered takes you behind-the-scenes with the headline artists responsible for our top cover art – join bloggers Richard Bruton and Pete Wells as they uncover the greatest covers from 2000 AD!

This week, it’s art droid Patrick Goddard giving us the rundown on putting together the cover for the new Rogue Trooper: Blighty Valley cover.

Garth Ennis and Patrick Goddard breathed new life into Rogue Trooper with the 13-part Blighty Valley in 2000 AD Progs 2326 to 2339 and now it’s getting its well-deserved collection, out on 2 July 2024. You can pre-order the collection now!

There really was no one better to get deep into the sci-fi war story of the blue-skinned Genetic Infantryman than Ennis. And in Goddard, we have an artist evoking memories of classic Rogue Trooper artists such as Dave Gibbons and Steve Dillon, someone bringing both intense action and a deeply human aspect to this incredible tale.

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Created by Gerry Finley-Day and Dave Gibbons and debuting in 2000 AD in 1981, Rogue Trooper is the last of the G.I.s – Genetically-engineered Infantry – fighting in the brutal war between his Souther creators and their deadly enemies the Norts. Engineered to be able to survive the poisoned badlands of Nu Earth, Rogue and his fellow G.I.s found that the real danger came from one of their own and he’s now a lone soldier on the hunt for the ‘Traitor General.’ His only help in this final mission comes from three fallen comrades, whose personalities are encoded onto bio-chips inserted into his helmet, ‘Helm’, backpack, ‘Bagman’, and rifle, ‘Gunnar’.

Blighty Valley is set at Night’s Horizon, the annual event where Nu Earth’s orbit carries it closest to a nearby black hole. The Norts call it Zvartchvintern; the first settlers knew it as Lightfall. Things have a reputation for going a little… screwy around this time. Now, Rogue and his bio-chip buddies are about to experience those effects first-hand.

So, here’s Patrick with the images and a few words about putting together the cover for the Blighty Valley collection…

PATRICK GODDARD: ‘My original brief was to have some sort of split image for the cover, showing Old and Nu Earth with Rogue taking centre stage. I drew out a couple of ideas…’

Actually, a couple of ideas ends up as six ideas…

But those are a little small, so here they are blown up for you, all the better to see the wonderful line to Patrick’s work…

But that’s nothing like the final cover, right? Well noticed dear reader.

What actually happened was that Patrick showed the ideas to Garth and, well, let’s hand you back to Patrick here…

PATRICK GODDARD: Garth suggested another route, having Rogue with the Blackhole prominent behind him come across the devastation of the British and German bodies all merged into one with the landscape.

Not just that, but Garth got his artistic head on and sent Patrick a thumbnail idea of what he was suggesting…

A Garth Ennis original… but probably best to leave the drawing stuff to Patrick, eh?

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So, with that in mind, Patrick worked up another rough…

And that worked, except, there was just one more change needed –

PATRICK GODDARD: Rogue was originally going to be smaller, but they wanted him with a larger presence for the cover which I can understand.

So, with the cover layout decided on, it was time to head to pencil stage…

Next came inks and tones and effects…

And that’s it! Complete and done. Just one more stage…

PATRICK GODDARD: Then it was off to Dylan to work his magic with the colours!

And Dylan Teague did indeed work his magic with the Blighty Valley cover! As always!

Thank you so much to Patrick for sending along the art there. You can find Rogue Trooper: Blighty Valley wherever Ghafflebette comics are sold from 2 July 2024, including the 2000 AD web shop.

For more from Patrick, there’s plenty to catch up on – Covers Uncovered for Progs 2185, 2205, 2219, 2244, and 2264; we interviewed him about Judge Dredd: Special Relationship (with Rob Williams) here, and about Judge Dredd: Unearthed (with Williams and Chris Weston) here. There’s also a 2000 AD Thrill-Cast here with Patrick, Garth Ennis, and Keith Burns talking Battle Action, and Patrick talks to Molch-R in the 2000 AD Lockdown Tapes here.

And remember to follow Patrick on Twitter and Instagram.

And to finish with, as a bonus… the opening pages from Rogue Trooper: Blighty Valley

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2000 AD Covers Uncovered: Mother Knows Best as Rufus Dayglo Wraps Up The Devil’s Railroad

Every week, 2000 AD brings you the galaxy’s greatest artwork and 2000 AD Covers Uncovered takes you behind-the-scenes with the headline artists responsible for our top cover art – join bloggers Richard Bruton and Pete Wells as they uncover the greatest covers from 2000 AD!

This week we have yet another The Devil’s Railroad cover by Rufus Dayglo to share with you – the third for the series!

With the end of the 14-episode Devil’s Railroad happening in Prog 2366, Peter Milligan and Rufus Dayglo are bringing things to a spectacular conclusion. Will our two young lovers, Constance and Palamon, find sanctuary on Earth for their unborn child, or will the dangers of the Devil’s Railroad prove too much?

Well, for that you’re going to need to pick up the Prog! Let’s just say that Milligan and Dayglo have really managed to bring all the best of 2000 AD out in The Devil’s Railroad, something that hits hard, something that’s full of political undertones, yet something that’s packed with humanity.

So, one last time, time to join the young lovers – who are really having a bit of trouble with Sister White…

This one was another cover that came about fairly simply, or at least that’s what we’re assuming, as Rufus sent just the one cover rough along for this one…

And if that rough is ringing a few bells with you, particularly if you’ve a little knowledge of Euro comics in general and the genius of Jean Giraud in particular… well, there’s a reason for that… over to Rufus to spill the beans…

RUFUS DAYGLO: This cover is a pastiche of Moebius’s Arzach, which my wife bought me in a second-hand bookshop in Lyon.

I liked the Idea of Palomon entrapped by Mother White (the main gangster whose son Palomon killed). I added lots of very reptilian texture just to make the embrace even less appealing.

See, all very simple – do a homage cover, hero in peril, lots of nastiness in the incredible details of the inking and colours… job done. And what a job it is!

First of all, here’s the Moebius cover that Rufus was homaging…

And here’s where Rufus took things… inking and colours… complete with so much incredible, and rather disturbing detail…

And there you go! Devil’s Railroad cover #3 all completed. But we’re not quite finished yet, as Rufus was kind enough to send along a few of his unused cover ideas as well – you’ll just have to imagine what might have been…

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Thank you once more to Rufus for this third Devil’s Railroad cover – we’re already looking forward to seeing where it all ends! It’s been another great debut series in a year that’s been stuffed full of them.

You can see Rufus’ final Devil’s Railroad cover on the shelves of your local newsagent, comic shop, or anywhere that stocks the Galaxy’s Greatest, including the 2000 AD web shop.

You can find more about The Devils Railroad in our interview with Peter and Rufus here and read about how Rufus put together the two other covers for the series here and here. And for previous chats with the Milligan/Dayglo team, there’s an interview on their dystopian cyberpunk thriller Counterfeit Girl here and we talk Bad Company: Terrorists here.

Counterfeit Girl‘s available in a collection whilst Bad Company: First Casualties can be found in Progs 1950-1961 and as a digital collection. Bad Company: Terrorists can be found in Progs 2061-2072. And for more of Milligan’s Bad Company, The Complete Bad Company, with art by Brett Ewins, Jim McCarthy, and Steve Dillon is essential.

And finally, because the detail of Rufus’ work on this one was so good, we figured we’d show you a few blowups of the artwork… enjoy!

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2000 AD Covers Uncovered: Lee Milmore Unmasks Judge Dredd Megazine 464!

Every week, 2000 AD brings you the galaxy’s greatest artwork and 2000 AD Covers Uncovered takes you behind-the-scenes with the headline artists responsible for our top cover art – join bloggers Richard Bruton and Pete Wells as they uncover the greatest covers from 2000 AD!

Right now, we’re heading to the new Judge Dredd: Megazine for a first-time Megazine cover by artist Lee Milmore. He has the cover to Megazine 464 and gets to show us the masked man from his new strip, Tales of the Black Museum: The Ugly Stick.

Just as with every visit to the Black Museum, The Ugly Stick sees undead guide Henry Dubble showing you around the Justice Department’s exhibition of relics from bygone crimes – and this time it’s a very black tale of a very familiar name in the annals of MC-1 history.

Artist for both cover and strip Lee Milmore was the winner of the 2000 AD Thought Bubble artist talent search in 2021 and since then he’s appeared a few times in the Prog, first with the art to Relict, the Future Shock written by his fellow talent search winner Honor Vincent. After that, Milmore’s art’s adorned a Terror Tale, In The Wood, written by John Tomlinson, in Prog 2311 and the two Tharg’s 3Rillers introducing us to the supernatural troubleshooter and his dog, Herne and Shuck, with writer David Barnett, first with The Crawly Man (Progs 2297-2299) and then in Maxwell’s Demon (Progs 2343-2345). If you loved those, and we’re pretty sure you did, you’re going to be very pleased that there’s an eight-episode series for Herne and Shuck in production right now.

But before then, you get to enjoy his artwork on this new Tales From The Black Museum, The Ugly Stick, again written by David Barnett, where Milmore gets one of those dream come true moments of drawing Judge Dredd, even if only for a couple of pages.

But enough intro already, time to let Lee take you through his process of doing his second 2000 AD cover, this time for the Megazine….

LEE MILMORE: Last year was momentous for me, not only did I get to do my first cover for 2000 AD but I also got to do my first cover and story for the Megazine. Pinching is avoided at all times in case I wake up.

My partnership with the hugely talented David Barnett continues in this month’s Meg as we bring an old favourite back from the vaults in a self-contained Tales from the Black Museum called The Ugly Stick. To find out who it is you’ll have to pick up a copy Earthlets.

As soon as I started working on David’s strip I just knew I had a decent cover to offer. In my mind’s eye it was a mash-up image of the Third man and The Invisible Man filtered through the world of Judge Dredd. (NO PINCHING ME…)

As with most things I do they begin as an appalling doodle somewhere, usually on a scrap of something, whatever comes to hand...

It’s a bit embarrassing really, lots of artists’ work is so good at this thumbnail stage you could almost print it and be done, but this is the general quality of mine for my sins.

That being said, in terms of the concept it’s pretty much all in there. You may be able to make out the Judge’s boot, the drone street lamps, even the rain on the sked.

I can tell from the squiggle at the end of the cane that I hadn’t settled on an ugly stick design at this point so it was probably concurrent with drawing the first page of the strip.

Here’s a set of concepts I did whilst working out what the ugly stick should look like, not directly to do with the cover process but it might be fun to see.

Then there’s the final design for the Ugly Stick, quite typically for me scrawled on a A4 lined note pad. I love the quality of that paper to draw on – it’s soft and non-precious.

Okay, back to the cover.

So I’ve got a pretty rounded idea in my head but so far that’s all it is.

Next up, Ulp…time to ask The Mighty One for permission to do it. For that I need to do something a little less embarrassing, not wanting to have to report to Mek Quake to be compacted for my impudence.

I did a little more detailed sketch – again really rough but concentrating on getting the composition working and all the elements being included.

I try to establish a colour palette, I want it to be noir but with quite a bold palette – that’s purple right??

Note the addition of the day stick and the balance between the two. Also the Juves from the strip have been added to try and amp up the jeopardy that the central character is in. I chuck in the logo to help it feel like a real cover option and, holding my breath, submit this to Tharg, prostrating myself before him in a frankly piteous display, grovelling for his approval.

With a look of righteous disgust he agrees…possibly just to make the pathetic stop. Hey, a droid has to make a living!

So now it has to be a cover image for real. I start working a little harder on the quality of the image I’m making. I like to use a lot of reference when I’m drawing – it helps me with everything and even though I know I probably overly rely on it once I accepted that it was part of my process I started to improve as an art droid.

So here’s a picture of me with toilet roll wrapped around my head...

I work primarily in Photoshop on a Cintiq but always want to find ways to work on paper more. The first page of The Ugly Stick strip I did traditionally on paper and I loved it but I lost confidence as the pages got more complicated and ran back to my Mac with my tail between my legs.

For this cover though I decided that the drawn elements, all the way up to the colouring, was going to be done on paper.

Here’s the pencils I settled on with most of the elements in place. I seem to recall doing a number of drawings to this level and this one won out...

Because I wanted a moody, noir feel for this and because the strip traditionally uses grey scale finishes, I decided that I’d approach the cover drawing in the same way. I did this in black (& white) acrylic paint, possibly a little pen (Microns) and some white out for the rain.

Looking at this now I almost wish this had been the final piece. Still I had colour plans.

I scanned in my drawing and dropped it into Photoshop. I coloured the image and edited the bad drawing. I wasn’t happy with the rain ripples and the city blocks didn’t quite work. Also, I added back the spotlight drones which I just generally thought I’d do better in PS.

And then it was finished – though I just endlessly think about what could be done better (everything, yeah I know). 

I hope you like it and I’ve done the Judge Dredd Megazine justice (pun intended).

Oh, we think he’s definitely done the Megazine justice! Our thanks to Lee Milmore for sending that one along. You can find Judge Dredd Megazine issue 464 wherever you find your ghafflebette comics, including the 2000 AD web shop right now.

You can find our interview with Honor Vincent and Lee Milmore about their talent search-winning Future Shock, Relict here. We also did a Creator Profile with Vincent here. We interviewed Milmore and writer David Barnett about the second Tharg’s 3Riller staring Herne and Shuck, Maxwell’s Demon, here. Finally, there’s Lee’s very first 2000 AD cover for Prog 2344, that he described, quite perfectly, as ‘a possessed meat machine with an HR Giger vibe’ that featured as a Covered Uncovered here.

And finally, just because you deserve a treat for the New Year, here’s a preview of Barnett and Milmore’s Tales of the Black Museum: The Ugly Stick

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2000 AD Covers Uncovered: Alex Ronald welcomes an Alien Invasion of Enemy Earth!

Every week, 2000 AD brings you the galaxy’s greatest artwork and 2000 AD Covers Uncovered takes you behind-the-scenes with the headline artists responsible for our top cover art – join bloggers Richard Bruton and Pete Wells as they uncover the greatest covers from 2000 AD!

This weeks’ Prog 2365 sees Enemy Earth by Cavan Scott and Luke Horsman enter its endgame as the aliens behind the devastating mutations of the Earth’s flora and fauna arrive on Earth, captured perfectly on this week’s cover by Alex Ronald

Alex Ronald’s time at 2000 AD began way back in Prog 984 with Judge Dredd, followed soon after with his first cover on Prog 1869. More work on Dredd followed, along with runs on DreddVector 13Rogue Trooper, and Sinister Dexter all pointing towards a long stint as an art droid to come. But it wasn’t to be, as he took off and switched to working in the computer graphics industry and 3D modeling. But the lure of 2000 AD was too strong, eventually pulling him back in as a cover specialist making instantly recognizable digital brilliance.

As for this latest cover from Alex, it all started out, as it usually does, with a call from Tharg and a cover brief for the latest Enemy Earth cover. Tharg was kind enough to send over a bit of alien reference from Enemy Earth, giving Alex a look at the way series artist Luke Horsman drew them making their first appearance…

The reference Alex was working from – the first glimpse of the aliens from Enemy Earth part 6,
2000 AD Prog 2365 – Art by Luke Horsman

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ALEX RONALD: The brief was fairly loose, just a cover featuring the aliens from the reference image provided.

I opted for a shot of them conspiring over a relatively alien-esqe map with all the colours and mood to compliment that.

I sculpted an upper torso of the aliens based on the referenced artwork. Luke Horsman’s design of the creatures was pretty special and it was a lot of fun to recreate then in 3D. Once complete, I duplicated the model and made each into a unique pose for the cover.

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Once posed and lit, the next stage is to take a screengrab and head into PS where I draw over the models onto a cover sheet adding tone for an idea of the lighting effects...

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When the B/W rough was approved, I painted up the finished art adding a strong greeny/yellow uplight for the glow from the alien map. The backdrop was created in 3D using a simple subdivided plane which I sculpted from in Z brush for an otherworldly look.

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And that’s that – another great-looking Alex Ronald cover delivered to Tharg and now to you, dear readers – it’s out right now on the shelves of all ghafflebette newsagents and comic shops, as well as the 2000 AD web shop.

As for more from Alex, there’s been plenty of covers uncovered from one of 2000 AD’s modern cover specialists… Prog 2191Prog 2206Prog 2255Prog 2294Prog 2306, Prog 2353, and for Megazine 435 and 462.

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2000 AD Covers Uncovered: Simon Davis returns for Thistlebone: The Dule Tree in Prog 2364

Every week, 2000 AD brings you the galaxy’s greatest artwork and 2000 AD Covers Uncovered takes you behind-the-scenes with the headline artists responsible for our top cover art – join bloggers Richard Bruton and Pete Wells as they uncover the greatest covers from 2000 AD!

In 2000 AD Prog 2364 this week we have the return of the terrifying folk horror series Thistlebone. We’ve seen two series of this one already but now writer TC Eglington and artist Simon Davis return to put another sizable shiver down your spines for the third series – The Dule Tree.

Those first two series, Thistlebone and Poisoned Roots, took us into the woods with the horrors of ancient times brought into the now with modern-day cults and ceremonial killings to chill you to the bone.

Now we’re off to a new time but one with the same old terrors and even more of the dark beauty of Simon Davis’s artwork – as perfectly captured in this early promo image…

Now, over to Simon for the making of the cover…

SIMON DAVIS: The third series of Thistlebone is largely set in the 1970’s, on the set of a horror film so I wanted the cover to have a Hammer poster feel to it so based it on one of my favourites, Dracula: AD 1972.

I did the initial rough below and decided to paint the 2000ad logo as part of the cover, to give it a more poster-like feel.

As I was to paint it in oils and as there was quite a lot of detail in it, I drew it up twice the publication size.

I drew it out and began working my way round the composition, concentrating on the individual characters and then finally bringing them all together with the white background.

And that’s how another perfectly petrifying Simon Davis cover is put together. You’ll see the cover on the front of Prog 2364, in newsagents, comic shops, and from the 2000 AD web shop.

For more on Thistlebone, be sure to check out the interview with writer TC Eglington and Simon Davis here and Simon’s previous Covers Uncovered Thistlebone pieces for Prog 2223 and Prog 2232. There’s also a great Durham Red cover for Prog 2327. There’s also the essential reading of the first Thistlebone collection that’s available in all good comic shops and from the 2000 AD web shop.

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2000 AD Covers Uncovered: Call Him “The Perpinator”! Steven Austin is back for Prog 2363

Every week, 2000 AD brings you the galaxy’s greatest artwork and 2000 AD Covers Uncovered takes you behind-the-scenes with the headline artists responsible for our top cover art – join bloggers Richard Bruton and Pete Wells as they uncover the greatest covers from 2000 AD!

It’s a brand new year of Thrill Power and Tharg’s got plenty of treats in store for you for 2024, starting with this very first Prog of the year, full of zarjaz strips and all capped off with a great Dredd cover by Steven Austin. It’s 2000 AD Prog 2363 and it’s out on 3 January.

Steven’s been a pretty regular artist here in the Prog since bursting in with a Time TwisterThe Timeless Assassin, written by Rory McConville – in 2016’s Prog 1982. Since then, his distinctive artwork’s been seen on Judge Dredd, Judge Death, Judge Anderson, along with more Terror Tales, Future Shocks, Tharg’s 3Rillers, and Tales From The Black Museum. He’s also featured on a number of really striking covers over the last few years, of which this is merely the latest.

As for what to expect from Steven in the future, 2024 sees him providing artwork for a two-part Devlin Waugh tale in the Judge Dredd Megazine. But that’s rather getting ahead of ourselves. For now, let’s head back to the cover to this week’s Prog and get the skinny directly from the artist – so, here’s Steven Austin with a tale of Dredd and a pile o’ perps…

STEVEN AUSTIN: ‘I call this one ‘The Perpinator’!! It was a pitch I sent to Tharg, a good few months ago now. I’ve always quite fancied drawing Dredd atop a pile of defeated perps.

I went for a slightly low angle so you’re looking up at Dredd and to really make it pop I wanted Dredd’s head to slightly overlap the logo, as you can see in the initial rough that I sent across to Tharg.

Steven’s first rough for this one, with Dredd atop a huge pile of perps… or Monday, as Dredd calls it.

STEVEN AUSTIN: My process doesn’t change, initial rough is blown up to A3 and then re-pencilled with an HB Technical pencil and then inked using a combination of a green (cased) Tombow brush pen and a Pentel brush pen.

And here’s Steven’s re-pencilling stage…

Followed by the inks…

But just how does an art droid get the required reference for a pile of bodies exactly? Well, that’s where pals come in handy, as Steven will tell you…

STEVEN AUSTIN: The pile of perps is made up of the usual variety of gang members and misfits you’d expect to find in MC1 but I threw a few familiar faces in there, at least to me, some of my convention and project partners in crime, Darren Stephens, Neil McClements and Chris Askham, I asked them to send me their best impersonations of being dead….or at least out cold.

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STEVEN AUSTIN: The final inks were then shipped off to Tharg where Mr Jim Boswell used his magic colour wand to bring the whole thing to life!!’

The final cover wwith all that Jim Boswell magic right there!

Wow, that’s a great cover to set us off on our year of Thrill Power! You can find it on the shelves, real and virtual at the 2000 AD web shop from 3 January.

And whilst we’re talking Steven’s great covers, do take the time to look through the archives at Steven’s other great covers that we’ve featured here at Covers Uncovered over the last few years – Prog 2184, Prog 2211, Prog 2286, and Prog 2311.

You can find more from Steven at his website and there’s also StevenAustinArt on Facebook.